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1066 - Andrew Bridgeford [52]

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there, laughing at him.

William of Poitiers has the duke win over the Norman doubters by his powers of oratory at a great meeting, which may have taken place at the town of Lillebonne. If the lack of ships worried his barons, they should not worry, he said, because there would soon be enough. If it was the lack of soldiers, they should remember that wars are more often won by courage than by the number of fighting men. Harold was attempting to retain what he had wrongfully seized; the Normans would fight to acquire what was rightfully theirs. 'This fundamental confidence of our side, dispelling all danger, will give us a splendid triumph, great glory and a famous name.'1 During the spring and summer of 1066 there is evidence that the duke was travelling widely around Normandy, meeting with his chief men, no doubt rallying their morale and overseeing the preparations. Every aspect of the invasion, down to the finest logistical detail, must have been painstakingly planned. The army was probably to number about 10,000 men (though some have suggested a much larger force); there were horses, equipment, transport and supplies to prepare. William was a ruthless man, but it speaks much of his personal authority and powers of man-management that he was able to organise such a great army in so short a time and to hold it together for such a risky enterprise.

He was also one step ahead of Harold in the propaganda war. He sent an embassy to Rome where his wily Norman ambassadors persuaded Pope Alexander II to give his blessing to the invasion.2 Since Harold's case went unrepresented, it may be presumed that this result was achieved by dint of the usual one-sided arguments. The Pope's sponsorship of a war, symbolised by the grant of a papal banner, was a very recent innovation and it was notably astute of William to seek it, for this emblem of the approval of the highest authority in Western Christendom at once legitimated the expedition as a sanctified quest to oust a faithless usurper and an excommunicated archbishop. In the end William had no difficulty raising his army. The bulk of it came from within Normandy but others, sometimes his former enemies, from Brittany, north-eastern France, Flanders and even Aquitaine joined his cause as well. They were lured by the spirit of adventure, the papal blessing and the promise of English land and gold. Many would die, but if the Norman side won the survivors would become rich. The most prominent of the non-Normans who pledged his support (for the time being at least) was an old rival, Count Eustace II of Boulogne, though it is only later that we see him in the tapestry.

The tapestry distils all the decision-making into a single decisive meeting within a turreted Norman palace [scene 32]. Nowhere does it mention Pope Alexander's blessing and amongst all the flags depicted in the work (of which there are many) the papal banner has never been identified with certainty. It may, in fact, not be illustrated at all. The pivotal meeting takes place between an adviser (or informant), Duke William and a tonsured cleric. This is the meeting at which the momentous decision to invade England is taken. The inscription above is unusually spread across the upper border: HIC WILLELM DUX IUSSET NAVES EDIFICARE (Here Duke William ordered ships to be built). These words, like all other sources, make it seem as if the duke was decisive in the matter, but once again the embroidered picture tells a different story. The first man stands in front of the seated William. Perhaps he is counselling caution, referring to the difficulties that William of Poitiers has all the doubters allude to. Or perhaps he is a spy bringing news of Harold's accession. Duke William sits in the middle; he is pointing to the standing man but his head is twisted towards the tonsured cleric at his side. This is a William who is uncertain and wishes to hear the cleric's views. Like William, the cleric is seated on an important throne but he is noticeably depicted higher than the rest. It is the cleric who points to the shipbuilding that

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