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13, Rue Therese - Elena Mauli Shapiro [1]

By Root 526 0
such a thing and then not take a little peek inside?

She wonders what effect it will have on him.


This is the lid on the box:

Would you like to open it?

Paris

January 12th

Dear Sir,

Quite by accident, I have found the most fascinating record. I will be sending you scraps of my findings as I extract them—thus you must forgive me if the documentation does not yet make much sense to you. I will send all to you in the order in which I find it, and once I have all the data there is for me to excavate, I will attempt to collate everything into something more cogent. The letters are not in any order. Neither are the photographs. Neither are the coins, the gloves, the cards, nor anything else. It is all quite pell-mell, quite a puzzle.

It has snowed here in Paris, a good fall that layers everything in a lovely sheen of glimmering white. The poor French are utterly routed by this development: it seldom snows here. Traffic is gridlocked; people are stuck places. It is rather funny. I am told that when it snows, generally it is in tiny flakes that melt as soon as they hit the ground. This snow has stuck, and no one knows what to do.

So I am scanning the pieces of the record as I come upon them, and sending copies of the scans to you, should some ill luck befall my notes. Included with this missive are my first findings:

a letter asking for a girl’s hand in marriage, dated 22 November 1915 (accompanied by my clumsy translation).

two photographs of the same man, taken approximately fifty years apart. (These are the largest photographs—they rested on top of all the artifacts. They are approximately six by nine inches, and quite beautifully preserved. The first is dated 26 January 1943. The second is undated, and likely taken in the last decade of the nineteenth century, from the looks and clothes of the fellow in the picture.)

a postcard from a father to his daughter from the front lines, dated 12 October 1918.

a rosary.

a tiny diary with a drawing of roses on the cover, which calls itself “Little Memento Calendar for 1928.” (The thing fits in the palm of the hand. I have scanned the cover and a few of the pages.)

two calling cards: one for M. & Mme Henri Brunet, and one for Madame Henri Brunet alone. (I have not yet found a photograph of the woman herself. Perhaps I will, but I’m not sure—perhaps she is not much for pictures of herself? Her Christian name is Louise.)

That is all I have to show you for now, but there will be more. I cannot tell you when for sure. I am constantly being sidetracked by other projects. Also, by absurd administrative rigmaroles: the French appear to have a fondness for that! Especially the pretty red-haired secretary, who loves to stamp things, and have me fill them out in triplicate, and make me take them places to be stamped again, and bring them back. On some days this tickles me. On other days, it makes me want to press the palms of both my hands against my ears to keep my brains from spilling out of them.

I am well these days, Sir. As a matter of fact, surprisingly well, considering that all my colleagues appear to be dropping like flies of various flu-like ailments.

I have told no one yet of this record I have found. Surely, someone would then try to steal it from me. Certainly, the French would insist on sending it to Preservation, and I would have to get a thousand things filled out and stamped before I could look at it again. What a nuisance. For now, I exercise my absolute right to be a secretive and quiet researcher—it is delicious and sweet, like hard fruit candy in the mouth.

Well, I will leave you to your work, Sir, before I get too fanciful with my language again. My greetings to you and yours.

Sincerely,

Trevor Stratton

[NB: The envelope is missing from this particular letter, which is a bother—I am not even sure of the name of the addressee. It is one sheet of paper folded in half, to make a small folio. It is so delicate, splitting along its center fold. You can see that the writer was hardly more than a schoolboy; his endearing clumsiness of feeling

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