14 - J. T. Ellison [13]
Sam continued her examination, and Taylor stood beside the body, lost in thought.
Two months ago, Taylor had been called on the murder of Elizabeth Shaw, a senior at Belmont University. Elizabeth had disappeared walking home to her apartment from class. The city buzzed, searches were initiated, but it was all too late. Her body was found in the tall grass in a gulch off of Interstate 24. Thrown out of a car door like litter, she’d lain in the gulch for at least two days. The postmortem damage to her body had been animal related. The biological evidence was copious; her arms and legs were hog-tied. They hadn’t determined where she was actually killed.
Elizabeth Shaw’s murder scene didn’t look precisely like the original work of Snow White, but during her autopsy, flakes of red Chanel lipstick were recovered from her mouth. They reexamined the knots on the ropes, found them to be much more complex than they originally appeared. And in a touch that alarmed even the most seasoned law enforcement officials, a two-decades-old newspaper clipping about the first murder in the original Snow White case had been pulled from her vagina. All thoughts of this being a simple murder flew out the window, and the homicide team found themselves quietly reopening a twenty-year-old case.
In quick succession, two more girls were taken and murdered. Candace Brooks was killed three weeks later, left by the side of Interstate 65 this time. The press started attributing the killings to “The Highwayman”—the interstates being the one common denominator between the two crimes. Candace’s autopsy was eerily similar to Elizabeth Shaw’s, right down to the newspaper clipping—though this one detailed the twenty-year-old report about the Snow White’s second murder.
When victim number three, Glenna Wells, showed up on a boat ramp on Percy Priest Lake, the media beat the medical examiner to the scene. A sharp-eyed young reporter had managed a glimpse of the body, saw the glowing crimson lips, the presentation of the body, and ran back to her producer with video footage. The producer was an old-timer, recognized the tableau from his early days on the crime beat. The Highwayman was relabeled the “Reemergence of the Snow White Killer.” Taylor and the rest of Metro were lambasted for not warning the area that a serial killer long dormant was back in their midst, and the media frenzy began. Glenna’s body gave them a third newspaper clipping and no more clues.
And now there was a fourth.
The girls were linked in death by gaping neck wounds, the newspaper clippings, the knots and that damnable Chanel lipstick. Blood tests indicated they were over the legal limit for intoxication, with BAL’s in the 1.5-2.0 range. Rohypnol showed on the tox screens. It was obvious they’d all been killed by the same man. Whether it was the original Snow White or a copycat was still up for debate. A marked difference in the new murders versus the 1980’s slayings was the slick, creamy residue on the girls’ faces. Hindered by the fact that they couldn’t do their own DNA testing, Sam was still waiting on DNA results. The DNA would tell the truth—a copycat or the original killer. Taylor leaned toward the former. The differences were subtle, but there.
“Yo, earth to Taylor? Can I get some help here?”
“Oh, gosh, Sam, sorry. I was thinking about something else.”
Sam gave her a sharp glance, then pointed at the girl’s lower body.
“Can you pull up her right leg for me? I should put her in stirrups, but since you’re here…”
“Sure, of course. Yeah, no problem.”
Taylor reached for the dead girl’s leg, ignoring the bizarre sensation of dead flesh against her thin latex gloves. It felt a bit like the skin on a store-bought chicken breast, rubbery, loose. Her hand almost slipped, and she chided herself. Jeez, girl, get a frickin’ grip already. She took a better hold and pulled the leg back, exposing the girl’s genitals. Sam was already at