1491_ New Revelations of the Americas Before Columbus - Charles C. Mann [8]
Beginning as much as three thousand years ago, this long-ago society—Erickson believes it was probably founded by the ancestors of an Arawak-speaking people now called the Mojo and the Bauré—created one of the largest, strangest, and most ecologically rich artificial environments on the planet. These people built up the mounds for homes and farms, constructed the causeways and canals for transportation and communication, created the fish weirs to feed themselves, and burned the savannas to keep them clear of invading trees. A thousand years ago their society was at its height. Their villages and towns were spacious, formal, and guarded by moats and palisades. In Erickson’s hypothetical reconstruction, as many as a million people may have walked the causeways of eastern Bolivia in their long cotton tunics, heavy ornaments dangling from their wrists and necks.
Flying over eastern Bolivia in the early 1960s, the young geographer William Denevan was amazed to see that the landscape (bottom)—home to nothing but cattle ranches for generations—still bore evidence that it had once been inhabited by a large, prosperous society, one whose very existence had been forgotten. Incredibly, such discoveries are still being made. In 2002 and 2003, Finnish and Brazilian researchers revealed the remains of dozens of geometrical earthworks (top) in the western Brazilian state of Acre where the forest had just been cleared for cattle ranches.
Today, hundreds of years after this Arawak culture passed from the scene, the forest on and around Ibibate mound looks like the classic Amazon of conservationists’ dreams: lianas thick as a human arm, dangling blade-like leaves more than six feet long, smooth-boled Brazil nut trees, thick-bodied flowers that smell like warm meat. In terms of species richness, Balée told me, the forest islands of Bolivia are comparable to any place in South America. The same is true of the Beni savanna, it seems, with its different complement of species. Ecologically, the region is a treasure, but one designed and executed by human beings. Erickson regards the landscape of the Beni as one of humankind’s greatest works of art, a masterpiece that until recently was almost completely unknown, a masterpiece in a place with a name that few people outside Bolivia would recognize.
“EMPTY OF MANKIND AND ITS WORKS”
The Beni was no anomaly. For almost five centuries, Holmberg’s Mistake—the supposition that Native Americans lived in an eternal, unhistoried state—held sway in scholarly work, and from there fanned out to high school textbooks, Hollywood movies, newspaper articles, environmental campaigns, romantic adventure books, and silk-screened T-shirts. It existed in many forms and was embraced both by those who hated Indians and those who admired them. Holmberg’s Mistake explained the colonists’ view of most Indians as incurably vicious barbarians; its mirror image was the dreamy stereotype of the Indian as a Noble Savage. Positive or negative, in both images Indians lacked what social scientists call agency—they were not actors in their own right, but passive recipients of whatever windfalls or disasters happenstance put in their way.
The Noble Savage dates back as far as the first full-blown ethnography of American indigenous peoples, Bartolomé de Las Casas’s Apologética Historia Sumaria, written mainly in the 1530s. Las Casas, a conquistador who repented of his actions and became a priest, spent the second half of his long life opposing European cruelty in the Americas. To his way of thinking, Indians were natural creatures who dwelt, gentle as cows, in the “terrestrial paradise.” In their prelapsarian innocence, he believed, they had been quietly waiting—waiting for millennia—for Christian instruction. Las Casas’s contemporary, the Italian commentator Pietro Martire d’Anghiera,