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1968 - Mark Kurlansky [134]

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tear gas and threw the stones at the CRS. They then retreated, overturning cars to throw up barricades. Charge after charge by the incredulous CRS, who were used to ruling the streets, was driven back. Some of these determined and orderly combatants may have wanted for years to see these shock troops of the government forced into retreat.

François Cerutti, a draft dodger from the Algerian war who ran a popular leftist bookstore frequented by Cohn-Bendit and other radicals, said, “I was completely surprised by 1968. I had an idea of the revolutionary process, and it was nothing like this. I saw students building barricades, but these were people who knew nothing of revolution. They were high school kids. They were not even political. There was no organization, no planning.”

The fighting drew in thousands of demonstrators, and by the end of the day the government reported 600 wounded protesters and 345 wounded policemen. As another week wore on, there were more demonstrations, with protesters carrying the red flag of communism and the black flag of anarchy. Sixty barricades had been erected. Neighborhood people who viewed from their windows these young French people bravely fending off an army of police went to the barricades to give food, blankets, and supplies.

The prefect of police, Maurice Grimaud, was beginning to lose control of his force. Generally credited with trying to restrain the police, Grimaud had been appointed to his position six months earlier. He had never wanted the job. Having been director of national security for four years, he felt that he had done all the police work he wanted in his career. He was a bureaucrat, not a policeman. He saw his force completely shocked by the violence and insistence of these people. “Fights would begin which continued until very late at night,” said Grimaud, “and were especially severe, not just because of the number of demonstrators, but because of a degree of violence that was completely surprising and which astonished the police officials.” To the police, the 1968 movement had grown directly out of the anti–Vietnam War movement, which they had been confronting for a number of years. But this was different. Not only were the police becoming frustrated, they were getting hit on the head by cobblestones the size of large bricks. Every day they grew angrier and more brutal. Le Monde printed this protester’s description from May 12 in the Latin Quarter: “They lined us up back to the wall, hands over our heads. They started beating us. One by one we collapsed. But they continued brutally clubbing us. Finally they stopped and made us stand up. Many of us were covered with blood.” The more brutal the police became, the more people joined the demonstrators. However, unlike in the Algerian demonstrations earlier in the decade, the government was resolved not to open fire on these children of the middle class, so miraculously there were no deaths from night after night of furious combat.

Cohn-Bendit was as surprised as the police by the students. But he could not control it. “Violent revolt is in the French culture,” he said. “We tried to avoid an escalation. I thought that violence as a dynamic was destroying the movement. The message was getting lost in the violence, the way it always does. The way it did with the Black Panthers.” This was said by a mature Cohn-Bendit in reflection, but he was by no means a clear voice of nonviolence at the time. He admitted under police questioning to having been involved in the printing and distribution of a diagram explaining how to make a Molotov cocktail, but he explained to them that the flyers had been intended as a joke, which may have been true. 1968 humor.

French television, expressing the state’s viewpoint, emphasized the violence. But so did foreign television. Nothing made for better television than club-wielding CRS battling stone-throwing teenagers. Radio and print were drawn to the violence, too. Radio’s Europe 1 had its correspondent on the street breathlessly reporting, “It’s absolutely extraordinary what’s happening here,

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