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By Root 877 0

an underground newspaper, Le Combat, often wrote from the perspective of a moral imperative to act. His 1948 novel, The Plague, is about a doctor who risks his life and family to rid his community of a sickness he discovers. In the 1960s, students all over the world read The Plague and interpreted it as a call to activism. Mario Savio’s famous 1964 speech, “There’s a time when the operation of the machine becomes so odious . . . you’ve got to put your bodies upon the gears . . . and you’ve got to make it stop,” sounds like a line from The Plague. “There are times when the only feeling I have is one of mad revolt,” Camus wrote. American civil rights workers read Camus. His books were passed from one volunteer to the next in SNCC. Tom Hayden wrote that he considered Camus to be one of the great influences in his decision to leave journalism and become a student activist. Abbie Hoffman used Camus to explain in part the Yippie! movement, referring to Camus’s words in Notebooks: “The revolution as myth is the definitive revolution.”

By 1968 there was another intellectual it seemed everybody wanted to quote: Marxist-Hegelian revisionist revolutionary Herbert Marcuse. His most appealing idea was what he called “the great refusal,” the time to say “No, this is not acceptable”—another idea that was expressed in Savio’s “odious machine” speech. Marcuse, a naturalized American citizen who had fled the Nazis, was on the faculty of Brandeis when Abbie Hoffman had been a student there, and Hoffman was enormously influenced by him, especially by his book Eros and Civilization, which talked about guilt-free physical pleasure and warned about “false fathers, teachers, and heroes.” The most talked-about Marcuse book of the late sixties, One-Dimensional Man, was published in 1964. It denounced technological society as shallow and conformist and put into the carefully orchestrated discipline of German philosophy all of the sentiments of the 1950s James Dean–style rebels and the 1960s student revolutionaries. The New York Times called Marcuse “the most important philosopher alive.”

In 1968, at the age of seventy, Marcuse taught at San Diego State, where he could be seen fussing over his rust-colored cat and enjoying the hippos at the zoo, an avuncular white-haired figure whose impact was felt across the globe. The students who forced the University of Rome to close in March of that year carried a banner with three Ms that stood for Marx, Mao, and Marcuse.

While more conventional thinkers insisted that technology would create more leisure time, Marcuse warned that it would instead imprison people in unoriginal lives devoid of creative thinking. He warned that though technology appeared to help the dissenter, it would actually be used to muffle protest. People were being anesthetized into a complacency that was mistaken for happiness. Goods and services were rendering mankind useless and incapable of real thought. There was an increase in media, but it espoused less and less variety of ideas. People in today’s world who “surf” through eighty or more television stations, only to find less there than when they had only four choices, might be beginning to grasp Marcuse’s vision for a technological age in which people think they have more choices but the choices lack significant differences. In an age of abundance, when technology has made individuals extraordinarily efficient, why do people spend even more time working, and why is so much work mindless instead of stimulating? One of the first Marxists to lose faith in the Soviet system, Marcuse saw the West as also in a state of “unfreedom” and often suggested that revolution may be the only path to true freedom.

Marcuse, the aging professor, seemed to warm to the role of guru to the student radicals. He frequently discussed their movements. He warned Abbie Hoffman on “flower power” that “flowers have no power” other than the force of the people who cultivate them—one of the few occasions on which Hoffman had no reply. But as Marcuse freely admitted, many of the young rebels who talked about