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1968 - Mark Kurlansky [94]

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by a coalition that would include Castro. America and much of the world thrilled to the film footage of the bearded revolutionaries led by Fidel and Che, as photogenic as anyone Hollywood might have cast, triumphantly taking Havana on New Year’s Day 1959. Everyone wanted Fidel on television. Both Ed Sullivan and Jack Parr flew down to do Fidel shows. But this euphoric state where television, journalists, the student Left, and the political establishment were all in love with Castro would not last for long.

Once in power, Fidel began executing hundreds of Batista supporters. Suddenly the political establishment, the same people who would defend capital punishment in the Chessman case the following year, were appalled by state executions. And the Left, the Abbie Hoffmans and Marlon Brandos, the activists and celebrities who would stand vigil by the California prison, protesting the Chessman execution, had not a word to say for Fidel’s victims. But even within Cuba, revolutionary justice was being called into question. In March 1959 forty-four Batista airmen were tried for war crimes. Evidence that they had refused to bomb populations and had dumped their ordnance on fields led to their acquittal, whereupon the judge was replaced by a more loyal revolutionary and the forty-four were retried and all sentenced to prison terms. The minister of health, Elena Mederos, asked to resign, saying, “I am a different generation to you and your friends. We are quite opposed to each other in spirit. I must resign.” But Castro was able to charm her into staying.

Executions and revolutionary justice were talked about and criticized in the United States, too, but the fundamental issue was revolution. Down from the mountains and secure in the capital, Dr. Castro and his middle-class white rebels were not shaving off their beards! This was the sixties, when extra hair was synonymous with rebellion. In 1961 Matthews came out with a book that put it succinctly: This was “a real revolution, not a changing of the guard, not a shuffling of leaders, not just the outs getting in but a social revolution on the direct line of the French Revolution of 1789.”

As this reality became understood, in other countries the people of the establishment, with their fear and distrust of revolution, became vehemently anti-Castro. Many people could not decide. But a radical minority around the world, people who longed for revolution, believing it was the only hope for social change, the only way to move toward a more just society, were prepared to salute Fidel, whatever his faults, because he had not just taken power, he was really doing it—was really making a revolution. Fidel was in their pantheon, along with Ho Chi Minh and Mao. But Ho was a curious and stoic character, not hip like Fidel, and though Mao’s revolution fascinated, they would never completely understand his vast and complex China. For many radical students, middle-class people who dreamed of revolution, Dr. Castro, the middle-class lawyer-turned-revolutionary, and his partner, Dr. Che Guevara, the middle-class doctor-turned-revolutionary, were their ideal radicals.

In November 1960 C. Wright Mills published Listen, Yankee, the first of a number of leftist essays to reach the bestseller list in the 1960s. Most of the others, such as Eldridge Cleaver’s Soul on Ice, did not come until 1968. C. Wright Mills, a sociologist well respected in academic circles who died at the height of his popularity in the early 1960s, had been widely read since his 1950s book, The Power Elite, which told of the military-industrial complex before Eisenhower had coined the phrase in his 1960 farewell address. Mills had articulated a view of society’s power structure that was felt by many of the New Left youth. According to Mills, the ruling class was made up of a new clique of politicians, corporate executives, and military commanders who maintained their hold on power by perpetuating the cold war. In Listen, Yankee, Mills broke all the rules of academic writing and as a result sold four hundred thousand copies. The book

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