204 Rosewood Lane - Debbie Macomber [13]
It was the same question he’d asked himself with regard to his son. Each week Jack editorialized in the Cedar Cove Chronicle. He was never at a loss when it came to expressing his opinion. But talking to his only child—well, there his confidence disappeared. He was afraid of saying too much or not enough, of sounding either judgmental or indifferent.
“Eric phoned this afternoon,” Jack said bleakly. “He was upset and I didn’t know what to tell him. I’m his father, he came to me with a problem and I should’ve been able to help him.”
“What’s the problem?” Like Jack, Olivia knew it was a breakthrough in this difficult relationship for Eric to contact him at all. When he didn’t immediately answer, Olivia ran her hand down the length of his back. “Jack?”
“The girl Eric’s living with is pregnant.”
“They weren’t using birth control?”
“No. He didn’t think it would happen.”
Olivia laughed softly. “I don’t understand why any couple would take chances with birth control.”
Jack turned to face Olivia. “Since Eric had cancer as a youngster, the drugs and the different procedures left him sterile. The doctors told us that years ago.”
Olivia frowned. “You mean the baby isn’t his?”
Jack rubbed his hand over his eyes. “It can’t be, and Eric knows that.”
“Oh, dear.”
Jack had wanted to say something helpful to Eric, but he had no words of comfort or advice. He’d hung up feeling that once again he’d failed his son.
The Harbor Street Gallery was quiet for the moment. Taking advantage of the respite, Maryellen slipped into the back room to get herself a cup of coffee. Weekdays tended to be slow, especially in the fall. During the summer months, the gallery was a drawing point for tourists and constantly crowded. As the manager, Maryellen welcomed the lull that came with autumn, especially since the Christmas rush would soon begin. Already they were gearing up for it.
At some point today, Jon Bowman would drop by. She’d last seen him in June and remembered their meeting with embarrassment. Jon was a reserved, perhaps shy man, who had little tolerance for small talk. She’d hoped to engage him in conversation; instead she’d babbled on about all manner of irrelevant things. By the time he left, she’d wanted to kick herself for falling victim to her own eagerness.
No sooner had she poured her coffee than she heard footsteps on the polished showroom floor. After a quick, restorative sip, she set the mug aside, and hurried out front, prepared to greet her customer.
“Welcome,” she said, then brightened when she saw who it was. “Jon, I was just thinking about you.” His photography had long been her favorite of all the art they sold. The gallery carried work in a variety of artistic media: oil and watercolor paintings, marble and bronze sculpture, porcelain figurines and one-of-a-kind pottery. Jon was the only photographer represented at the Harbor Street Gallery.
His photographs were both black-and-white and color, and his subjects included landscapes and details of nature, like a close-up of some porous stone on a beach or the pattern of bark on a tree. Sometimes he focused on human elements, such as a weathered rowboat or a fisherman’s shack. He never used people in his compositions. Maryellen was impressed by the way he found simplicity in an apparently complex landscape, making the viewer aware of the underlying shapes and lines—and the way he revealed the complexity in small, simple details. This was an artist with true vision, a vision that made her look at things differently.
It was through his work that she knew Jon. As she’d discovered, he wasn’t a man of many words, but his pictures spoke volumes. That was why she wanted to know him better. That, and no other reason. Even if she found his appearance downright compelling…
Jon Bowman was tall and limber, easily six feet. His hair was long, often pulled away from his face and secured in a ponytail. He wasn’t a conventionally attractive man; his features were sharp, his nose too large for his narrow face, hawklike