500 Poses for Photographing Men - Michelle Perkins [1]
PLATE 2. Photograph by Beth Forester.
PLATE 3. Photograph by Christopher Grey.
PLATE 4. Photograph by Christopher Grey.
PLATE 5. Photograph by Paul Van Hoy.
“Doing a series of macho images gives the senior guy some shots that reflect how he likes to picture himself. If you then suggest that the girls would probably like a few more kindly expressions, a soft smile is usually possible.1” —J. D. Wacker
PLATE 6. Photograph by Christopher Grey.
PLATE 7. Photograph by Christopher Grey.
PLATE 8. Photograph by Christopher Grey.
PLATE 9. Photograph by Paul Van Hoy.
PLATE 10. Photograph by Christopher Grey.
PLATE 11. Photograph by Christopher Grey.
PLATE 12. Photograph by Christopher Grey.
PLATE 13. Photograph by Christopher Grey.
PLATE 14. Photograph by Christopher Grey.
PLATE 15. Photograph by Beth Forester.
PLATE 16. Photograph by Tracy Dorr.
PLATE 17. Photograph by Tracy Dorr.
PLATE 18. Photograph by Tracy Dorr.
PLATE 19. Photograph by Tracy Dorr.
PLATE 20. Photograph by Beth Forester.
PLATE 21. Photograph by Tim Schooler.
PLATE 22. Photograph by Tim Schooler.
PLATE 23. Photograph by Beth Forester.
PLATE 24. Photograph by Allison Earnest.
PLATE 25. Photograph by Allison Earnest.
PLATE 26. Photograph by Allison Earnest.
PLATE 27. Photograph by Allison Earnest.
PLATE 28. Photograph by Allison Earnest.
PLATE 29. Photograph by Don Marr.
PLATE 30. Photograph by Don Marr.
PLATE 31. Photograph by Don Marr.
PLATE 32. Photograph by Christopher Grey.
PLATE 33. Photograph by Christopher Grey.
PLATE 34. Photograph by Paul Van Hoy.
PLATE 35. Photograph by Paul Van Hoy.
PLATE 36. Photograph by Paul Van Hoy.
PLATE 37. Photograph by Don Marr.
PLATE 38. Photograph by Beth Forester.
PLATE 39. Photograph by J.D.Wacker.
PLATE 40. Photograph by Tim Schooler.
PLATE 41. Photograph by Christopher Grey.
PLATE 42. Photograph by Tim Schooler.
“No matter how good everything else is, if the pose looks awkward, the image won’t work. Some photographers promote lifestyle photography—people just standing around. [My clients] don’t understand what will look good and what won’t. It’s up to us to use our experience to create the poses that will flatter them the most.2” —Tim Schooler
PLATE 43. Photograph by Don Marr.
PLATE 44. Photograph by Don Marr.
PLATE 45. Photograph by J. D. Wacker.
PLATE 46. Photograph by Hernan Rodriguez.
PLATE 47. Photograph by Hernan Rodriguez.
PLATE 48. Photograph by Beth Forester.
PLATE 49. Photograph by Hernan Rodriguez.
PLATE 50. Photograph by Hernan Rodriguez.
PLATE 51. Photograph by Don Marr.
PLATE 52. Photograph by Don Marr.
PLATE 53. Photograph by Don Marr.
PLATE 54. Photograph by Paul Van Hoy.
PLATE 55. Photograph by Paul Van Hoy.
PLATE 56. Photograph by Christopher Grey.
PLATE 57. Photograph by J.D.Wacker.
PLATE 58. Photograph by Jeff Smith.
PLATE 59. Photograph by Hernan Rodriguez.
PLATE 60. Photograph by Paul Van Hoy.
PLATE 61. Photograph by Kirk Tuck.
PLATE 62. Photograph by Kirk Tuck.
PLATE 63. Photograph by Kirk Tuck.
PLATE 64. Photograph by Kirk Tuck.
PLATE 65. Photograph by Neil van Niekerk.
PLATE 66. Photograph by Don Marr.
PLATE 67. Photograph by Hernan Rodriguez.
PLATE 68. Photograph by Christopher Grey.
PLATE 69. Photograph by Kirk Tuck.
PLATE 70. Photograph by Jeff Smith.
PLATE 71. Photograph by Jeff Smith.
PLATE 72. Photograph by Christopher Grey.
PLATE 73. Photograph by Beth Forester.
PLATE 74. Photograph by Beth Forester.
PLATE 75. Photograph by Paul Van Hoy.
PLATE 76. Photograph by Paul Van Hoy.
PLATE 77. Photograph by Beth Forester.
PLATE 78. Photograph by Paul Van Hoy.
PLATE 79. Photograph by Paul Van Hoy.
PLATE 80. Photograph by Paul Van Hoy.
PLATE 81. Photograph by Paul Van Hoy.
PLATE 82. Photograph by Paul Van Hoy.
“When creating a portrait, the subject’s eyes and shoulders should never appear on the same plane. To avoid this, ask your model to tilt his