500 Poses for Photographing Men - Michelle Perkins [3]
PLATE 169. Photo by Beth Forester.
PLATE 170. Photo by J.D.Wacker.
PLATE 171. Photograph by Hernan Rodriguez.
PLATE 172. Photograph by Hernan Rodriguez.
PLATE 173. Photograph by Hernan Rodriguez.
PLATE 174. Photograph by Paul Van Hoy.
PLATE 175. Photograph by Allison Earnest.
PLATE 176. Photograph by Neil van Niekerk.
PLATE 177. Photograph by Hernan Rodriguez.
PLATE 178. Photograph by Jeff Smith.
PLATE 179. Photograph by Hernan Rodriguez.
PLATE 180. Photograph by J.D.Wacker.
PLATE 181. Photograph by Tracy Dorr.
PLATE 182. Photograph by Allison Earnest.
PLATE 183. Photograph by Allison Earnest.
PLATE 184. Photograph by Steven Begleiter.
PLATE 185. Photograph by Kirk Tuck.
PLATE 186. Photograph by Kirk Tuck.
PLATE 187. Photograph by Kirk Tuck.
PLATE 188. Photograph by Kirk Tuck.
PLATE 189. Photograph by Kirk Tuck.
PLATE 190. Photograph by Kirk Tuck.
PLATE 191. Photograph by Kirk Tuck.
“I really feel strongly that a lot of people today are struggling with posing because they need to learn the traditional rules of flattering the human form. Then it’s okay to go and do something different—to do funky stuff, try different things, and break the rules. But you have to remember that those rules were created for a reason.5” —Tim Schooler
PLATE 192. Photograph by Christopher Grey.
PLATE 193. Photograph by Beth Forester.
PLATE 194. Photograph by Neil van Niekerk.
PLATE 195. Photograph by J.D.Wacker.
PLATE 196. Photograph by Paul Van Hoy.
PLATE 197. Photograph by Don Marr.
PLATE 198. Photograph by Don Marr.
PLATE 199. Photograph by Hernan Rodriguez.
PLATE 200. Photograph by Hernan Rodriguez.
PLATE 201. Photograph by Christopher Grey.
PLATE 202. Photograph by Don Marr.
PLATE 203. Photograph by Christopher Grey.
PLATE 204. Photograph by Beth Forester.
PLATE 205. Photograph by Brett Florens.
PLATE 206. Photograph by Brett Florens.
PLATE 207. Photograph by Brett Florens.
PLATE 208. Photograph by Brett Florens.
PLATE 209. Photograph by Brett Florens.
PLATE 210. Photograph by Cal Landau.
PLATE 211. Photograph by Hernan Rodriguez.
PLATE 212. Photograph by Hernan Rodriguez.
PLATE 213. Photograph by Allison Earnest.
PLATE 214. Photograph by Allison Earnest.
PLATE 215. Photograph by Allison Earnest.
PLATE 216. Photograph by J.D.Wacker.
PLATE 217. Photograph by Paul Van Hoy.
PLATE 218. Photograph by Steven Begleiter.
PLATE 219. Photograph by Steven Begleiter.
PLATE 220. Photograph by Steven Begleiter.
PLATE 221. Photograph by Beth Forester.
PLATE 222. Photograph by Tracy Dorr.
“Men generally worry about their arms looking too thin or too flabby. The best way to avoid problems with arms is to cover them up with long sleeves.6” —Jeff Smith
PLATE 223. Photograph by Jeff Smith.
PLATE 226. Photograph by Jeff Smith.
PLATE 225. Photograph by Tracy Dorr.
PLATE 224. Photograph by Tracy Dorr.
PLATE 227. Photograph by Allison Earnest.
PLATE 228. Photograph by Allison Earnest.
PLATE 229. Photograph by Hernan Rodriguez.
PLATE 230. Photograph by Beth Forester.
PLATE 231. Photograph by Don Marr.
PLATE 232. Photograph by Beth Forester.
PLATE 233. Photograph by Hernan Rodriguez.
PLATE 234. Photograph by Hernan Rodriguez.
PLATE 235. Photograph by Hernan Rodriguez.
PLATE 236. Photograph by Hernan Rodriguez.
PLATE 237. Photograph by Beth Forester.
PLATE 238. Photograph by Hernan Rodriguez.
PLATE 239. Photograph by Beth Forester.
PLATE 240. Photograph by Hernan Rodriguez.
PLATE 241. Photograph by Beth Forester.
PLATE 242. Photograph by Allison Earnest.
PLATE 243. Photograph by Allison Earnest.
PLATE 244. Photograph by Allison Earnest.
“In my opinion, the lens should be several inches above the subject’s nose. This will cause your subject to look up at the lens, creating a very pleasing effect. Their eyes will look more attractive, and the higher camera angle will even help to slightly thin the subject’s face.