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A Bend in the River - V.S. Naipaul [2]

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taking the money out from the vanity case she brought to town with her. Every trader knew about Zabeth’s vanity case. It wasn’t that she distrusted banks; she didn’t understand them.

I would say to her, in that mixed river language we used, “One day, Beth, somebody will snatch your case. It isn’t safe to travel about with money like that.”

“The day that happens, Mis’ Salim, I will know the time has come to stay home.”

It was a strange way of thinking. But she was a strange woman.

“Mis’,” as used by Zabeth and others, was short for “mister.” I was mister because I was a foreigner, someone from the far-off coast, and an English-speaker; and I was mister in order to be distinguished from the other resident foreigners, who were monsieur. That was, of course, before the Big Man came along and made us all citoyens and citoyennes. Which was all right for a while, until the lies he started making us all live made the people confused and frightened, and when a fetish stronger than his was found, made them decide to put an end to it all and go back again to the beginning.

Zabeth’s village was only about sixty miles away. But it was some distance off the road, which was little more than a track; and it was some miles in from the main river. By land or by water it was a difficult journey, and took two days. By land during the rainy season it could take three. In the beginning Zabeth came by the land way, trekking with her women assistants to the road and waiting there for a van or truck or bus. When the steamers started up again, Zabeth always used the river; and that wasn’t much easier.

The secret channels from the villages were shallow, full of snags, humming with mosquitoes. Down these channels Zabeth and her women poled and often pushed their dugouts to the main river. There, close to the bank, they waited for the steamer, the dugouts full of goods—usually food—to be sold to people on the steamer and the barge the steamer towed. The food was mainly fish or monkey, fresh or boucané—smoked in the way of the country, with a thick black crust. Sometimes there was a smoked snake or a smoked small crocodile, a black hunk barely recognizable for what it had been—but with white or pale pink flesh below the charred crust.

When the steamer appeared, with its passenger barge in tow, Zabeth and her women poled or paddled out to the middle of the river and stood at the edge of the steamer channel, drifting down with the current. The steamer passed; the dugouts rocked in the swell; and then came the critical moment when the dugouts and the barge came close together. Zabeth and her women threw ropes onto the lower steel deck of the barge, where there were always hands to grab the ropes and tie them to some bulkhead; and the dugouts, from drifting downstream and against the side of the barge, began moving in the other direction, while people on the barge threw down pieces of paper or cloth on the fish or the monkey they wanted to buy.

This attaching of dugouts to the moving steamer or barge was a recognized river practice, but it was dangerous. Almost every trip the steamer made there was a report of a dugout being overturned somewhere along the thousand-mile route and of people being drowned. But the risk was worth taking: afterwards, without labour, as a marchande selling goods, Zabeth was towed up the river to the very edge of the town, uncoupling her dugouts by the ruins of the cathedral, a little before the docks, to avoid the officials there, who were always anxious to claim some tax. What a journey! Such trouble and danger to sell simple village things, and to take other goods back to the people of her village.

For a day or two before the steamer came there was a market and a camp in the open space outside the dock gate. Zabeth became part of this camp while she was in the town. If it rained she slept in the verandah of a grocery or a bar; at a later date she put up in an African lodging house, but in the beginning such places didn’t exist. When she came to the shop there was nothing in her appearance that spoke of her difficult

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