A Book of Scoundrels [57]
at last a copper.
Never did he revert to his ancient practice. If in his youth he had lived the double-life with an effrontery and elegance which Brodie himself never attained, henceforth his career was single in its innocence. He became a prig in the less harmful and more offensive sense. After the orthodox fashion he endeared himself to all who knew him, and ruled Paramatta with an equable severity. Having cultivated the humanities for the base purposes of his trade, he now devoted himself to literature with an energy of dulness, becoming, as it were, a liberal education personified. His earlier efforts had been in verse, and you wonder that no enterprising publisher had ventured on a limited edition. Time was he composed an ode to Light, and once recovering from a fever contracted at Ballyshannon, he addressed a few burning lines to Hygeia:
Hygeia! thou whose eyes display The lustre of meridian day;
and so on for endless couplets. Then, had he not celebrated in immortal verse his love for Miss Egerton, untimely drowned in the waters of the Boyne? But now, as became the Constable of Paramatta, he chose the sterner medium, and followed up his `Voyage to New South Wales' with several exceeding trite and valuable histories.
His most ambitious work was dedicated in periods of unctuous piety to his Majesty King George III., and the book's first sentence is characteristic of his method and sensibility: `In contemplating the origin, rise, and fall of nations, the mind is alternately filled with a mixture of sacred pain and pleasure.' Would you read further? Then you will find Fauna and Flora, twin goddesses of ineptitude, flitting across the page, unreadable as a geographical treatise. His first masterpiece was translated into French, anno VI., and the translator apologises that war with England alone prevents the compilation of a suitable biography. Was ever thief treated with so grave a consideration?
Then another work was prefaced by the Right Hon. William Eden, and all were `embellished with beautiful coloured plates,' and ran through several editions. Once only did he return to poetry, the favoured medium of his youth, and he returned to write an imperishable line. Even then his pedantry persuaded him to renounce the authorship, and to disparage the achievement. The occasion was the opening of a theatre at Sydney, wherein the parts were sustained by convicts. The cost of admission to the gallery was one shilling, paid in money, flour, meat, or spirits.
The play was entitled The Revenge and the Hotel, and Barrington provided the prologue, which for one passage is for ever memorable. Thus it runs:
From distant climes, o'er widespread seas, we come, Though not with much eclat or beat of drum; True patriots we, for be it understood, We left our country for our country's good. No private views disgraced our generous zeal, What urged our travels was our country's weal; And none will doubt, but that our emigration Has proved most useful to the British nation.
`We left our country for our country's good.' That line, thrown fortuitously into four hundred pages of solid prose, has emerged to become the common possession of Fleet Street. It is the man's one title to literary fame, for spurning the thievish practice he knew so well, he was righteously indignant when The London Spy was fathered upon him. Though he emptied his contemporary's pockets of many thousands, he enriched the Dictionary of Quotations with one line, which will be repeated so long as there is human hand to wield a pen. And, if the High Constable of Paramatta was tediously respectable, George Barrington, the Prig, was a man of genius.
THE SWITCHER AND GENTLEMAN HARRY
I THE SWITCHER
THE SWITCHER
DAVID HAGGART was born at Canonmills, with no richer birthright than thievish fingers and a left hand of surpassing activity. The son of a gamekeeper, he grew up a long-legged, red-headed callant, lurking in the sombre shadow of the Cowgate, or like the
Never did he revert to his ancient practice. If in his youth he had lived the double-life with an effrontery and elegance which Brodie himself never attained, henceforth his career was single in its innocence. He became a prig in the less harmful and more offensive sense. After the orthodox fashion he endeared himself to all who knew him, and ruled Paramatta with an equable severity. Having cultivated the humanities for the base purposes of his trade, he now devoted himself to literature with an energy of dulness, becoming, as it were, a liberal education personified. His earlier efforts had been in verse, and you wonder that no enterprising publisher had ventured on a limited edition. Time was he composed an ode to Light, and once recovering from a fever contracted at Ballyshannon, he addressed a few burning lines to Hygeia:
Hygeia! thou whose eyes display The lustre of meridian day;
and so on for endless couplets. Then, had he not celebrated in immortal verse his love for Miss Egerton, untimely drowned in the waters of the Boyne? But now, as became the Constable of Paramatta, he chose the sterner medium, and followed up his `Voyage to New South Wales' with several exceeding trite and valuable histories.
His most ambitious work was dedicated in periods of unctuous piety to his Majesty King George III., and the book's first sentence is characteristic of his method and sensibility: `In contemplating the origin, rise, and fall of nations, the mind is alternately filled with a mixture of sacred pain and pleasure.' Would you read further? Then you will find Fauna and Flora, twin goddesses of ineptitude, flitting across the page, unreadable as a geographical treatise. His first masterpiece was translated into French, anno VI., and the translator apologises that war with England alone prevents the compilation of a suitable biography. Was ever thief treated with so grave a consideration?
Then another work was prefaced by the Right Hon. William Eden, and all were `embellished with beautiful coloured plates,' and ran through several editions. Once only did he return to poetry, the favoured medium of his youth, and he returned to write an imperishable line. Even then his pedantry persuaded him to renounce the authorship, and to disparage the achievement. The occasion was the opening of a theatre at Sydney, wherein the parts were sustained by convicts. The cost of admission to the gallery was one shilling, paid in money, flour, meat, or spirits.
The play was entitled The Revenge and the Hotel, and Barrington provided the prologue, which for one passage is for ever memorable. Thus it runs:
From distant climes, o'er widespread seas, we come, Though not with much eclat or beat of drum; True patriots we, for be it understood, We left our country for our country's good. No private views disgraced our generous zeal, What urged our travels was our country's weal; And none will doubt, but that our emigration Has proved most useful to the British nation.
`We left our country for our country's good.' That line, thrown fortuitously into four hundred pages of solid prose, has emerged to become the common possession of Fleet Street. It is the man's one title to literary fame, for spurning the thievish practice he knew so well, he was righteously indignant when The London Spy was fathered upon him. Though he emptied his contemporary's pockets of many thousands, he enriched the Dictionary of Quotations with one line, which will be repeated so long as there is human hand to wield a pen. And, if the High Constable of Paramatta was tediously respectable, George Barrington, the Prig, was a man of genius.
THE SWITCHER AND GENTLEMAN HARRY
I THE SWITCHER
THE SWITCHER
DAVID HAGGART was born at Canonmills, with no richer birthright than thievish fingers and a left hand of surpassing activity. The son of a gamekeeper, he grew up a long-legged, red-headed callant, lurking in the sombre shadow of the Cowgate, or like the