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By Root 3078 0

he was still keen enough to receive invitations. This projection of himself as a “dancing man,” to use his own phrase, was an intimation—many more were necessary before the lesson was learnt—of how inadequate, as a rule, is one’s own grasp of another’s assessment of his .particular role in life. Widmerpool’s presence at the Walpole-Wilsons’ had at first struck me, rather inexcusably perhaps, as just another proof of the insurmountable difficulties experienced by hostesses in their untiring search for young men at almost any price. It had never occurred to me, when at La Grenadière he had spoken of London dances, that Widmerpool regarded himself as belonging to the backbone of the system.

“You must come and lunch with me in the City,” he said. “Have you an office in that part of the world?”

Thinking it unlikely that he would ring up, I gave him the telephone number, explaining that my work did not take place in the City. He made some formal inquiries about the firm, and seemed rather disapproving of the nature of the business.

“Who exactly buys ‘art books’?”

His questions became more searching when I tried to give an account of that side of publishing, and of my own part in it. After further explanations, he said: “It doesn’t sound to me a very serious job.”

“Why not?”

“I can’t see it leading to much.”

“What ought it to lead to?”

“You should look for something more promising. From what you say, you do not even seem to keep very regular hours.”

“That’s its great advantage.”

Widmerpool shook his head, and was silent for a time. I supposed him to be pondering my affairs—trying to find a way in which my daily occupation could be directed into more ambitious avenues—and I felt grateful, indeed rather touched, at any such interest. However, it turned out that he had either dismissed my future momentarily from his mind when he spoke again, or the train of thought must somehow have led him back to his own problems, because his words were quite unexpected.

“To tell the truth,” he said, “I was upset—very upset—by what happened to-night.”

“It was silly of Barbara.”

“It was more than silly,” said Widmerpool, speaking with unusual intensity, his voice rising in tone. “It was a cruel thing to do. I shall stop seeing her.”

“I shouldn’t take it all too seriously.”

“I shall certainly take it seriously. You are probably not aware of the situation.”

“What situation?”

“As I think I told you before dinner, Barbara and I used to live near each other in the country. She knows well what my feelings are for her, even though I may not have expressed them in so many words. Of course I see now that it was wrong to take hold of her as I did.”

This disclosure was more than a little embarrassing, both for its unexpectedness and also in the light of my own sentiments, or at least former sentiments, on the subject of Barbara. At that stage of life all sorts of things were going on round about that only later took on any meaning or pattern. Thus some people enjoyed distinctly public love affairs, often quickly forgotten, while others fell in love without anyone, perhaps even including the object of their love, knowing or caring anything about these covert affections. Only years later, if at all, could the consequences of such bottled-up emotions sometimes be estimated: more often, of course, they remained entirely unknown. In Widmerpool’s case, for example, I had no idea, and could, I suppose, have had no idea, that he had been in love with Barbara all the time that I myself had adored her. Moreover, in those days, as I have already indicated, I used to think that people who looked and behaved like Widmerpool had really no right to fall in love at all, far less have any success with girls—least of all a girl like Barbara—a point of view that in due course had, generally speaking, to be revised: sometimes in mortifying circumstances. This failure to recognise Widmerpool’s passion had, of course, restricted any understanding of his conduct, when at the supper table he had appeared so irritable from the mere consequence of the loss of a dance.