A Buyers Market - Anthony Powell [45]
“Nice work if you can get it!”
“‘A transient and embarrassed spectre’, as Le Bas used to say, when one tried to slip past him in the passage without attracting undue attention. As a matter of fact I saw Le Bas not so long ago. He turned up at Cowes last year. Not my favourite place at the best of times, but Buster seems to like the life.”
“Was Le Bas sailing?”
“Got up rather like a park-keeper. It is extraordinary how schoolmasters never get any older. In early life they settle on a cruising speed and just stick to it. Le Bas confused me with a Kenya friend of my father’s called Dicky Umfraville—you probably know the name as a gentleman-rider—who left the school—sacked as a matter of fact—some fifteen or twenty years earlier than myself.”
It was true that Le Bas, like most of his profession, was accustomed to behave as if never particularly clear as to the actual decade in which he might, at any given moment, be existing; but once assuming that recognition had not been immediate, his supposition that Stringham was something more than twenty-three or twenty-four—whatever his age at their meeting at Cowes—was not altogether surprising, because he looked, so it seemed to me by then, at least ten years older than when we had last seen each other. At the same time, it was no doubt unreasonable to mistake Stringham for Dicky Umfraville, of whose activities in Kenya I remember Sillery speaking a word of warning towards the end of my first year at the university. However, téte-â-téte conversation between Stringham and myself had now to come to an end, because by this time we had been admitted to the house, and the presence of a surrounding crowd of people put a stop to that kind of talk.
In one room the carpet had been rolled back, and a hunchback wearing a velvet smoking-jacket was playing an accordion, writhing backwards and forwards as he attacked his instrument with demiurgic frenzy.
“I took one look at you—
That’s all I meant to do—
And then my heart—stood still …”
To this music, cheek to cheek, two or three couples were dancing. Elsewhere the party, again resembling the Huntercombes’, had spread over the entire building, its density as thick on landings and in passages as among the rooms. There were people everywhere, and voices sounded from the upper levels of bedroom floors. Stringham pushed his way through this swarming herd, the rest of us following. There was a buffet in the drawing-room, where hired butlers were serving drinks. Moving through the closely packed mob, from which a powerful aroma of tobacco, alcohol, and cosmetics arose, like the scent of plants and flowers in some monstrous garden, we came suddenly upon Mrs. Andriadis herself, when a further, and enormous, field of speculation was immediately projected into being. Stringham took her hand.
“Milly …”
“Darling …” she said, throwing an arm round his neck and kissing him energetically. “Why so disgustingly late?”
“Overslept.”
“Milly ought to have been there.”
“Why wasn’t she?”
“Milly thought this was going to be a horrible party and she was going to hate it.”
“Not now?”
“Couldn’t be.”
I did not remember exactly what outward appearance I had planned before arrival for Mrs. Andriadis. A suspicion may not have been altogether suppressed that she might turn out to resemble, in physiognomy and dress, one of those formalised classical figures from bronze or ceramic art, posed as Le Bas would sometimes contort himself; but my invention, though perhaps in one aspect ancient Greek, was certainly modern Greek in another. However, the shape any imaginary portrait may have taken was quite unlike this small woman with powder-grey hair, whose faint touch of a Cockney accent, like her coiffure, was evidently retained deliberately as a considered attraction. She was certainly pretty, though the effect was obtained in some indirect and unobtrusive manner. Her dark eyebrows were strongly marked.
She stood clinging to Stringham’s arm, while, as if dancing, she twitched her body this