A Chosen Few - Mark Kurlansky [2]
In the decade that has passed since I researched A Chosen Few, the standing in Europe of both Judaism and anti-Semitism has barely changed. This is not surprising, but what is surprising is that none of the countries about which I wrote in this book has moved one step further away from World War II. Europe, sixty vears after the Holocaust, has achieved no more closure than had Europe fifty years after. Dariusz Stola, a historian of the twentieth century at the Polish Academy of Sciences, said in a lecture delivered in June 2001 at the University of Warsaw, “The Holocaust is not a problem of the past. It is a problem of the present. I can hardly find a European country without a World War II problem from Germany, French collaboration, Swiss banks, the role of the Vatican. If you do not have problems with World War II, you are not European.”
The World War II problem, the Jewish question—these are distinctly European debates. It would have been logical to imagine that these issues had to be resolved, before the Jews would return. But in fact they returned before there was any resolution and now children, grandchildren, and even great grandchildren of survivors, live their lives half citizen and half metaphor.
The Jews have an irrefutable claim on what all Europeans want—standing as World War II victims. Everyone was either— in the words of Holocaust historian Raul Hilberg—a victim, a bystander, or a perpetrator. The worst fate has become the best status. Just as Jews have always been envied and resented for whatever they had, they are envied today for their victim status. Europeans need to show that they too, not just Jews, were the victims of World War II. The French and Dutch accomplish this with some difficulty. The Poles stubbornly fight for their victim status. Even the Germans hope that somehow Dresden gives them a chance for victim status.
The Jews of Dresden in the former East Germany have recently found their real life in Germany and their metaphorical one at cross purposes. Across the wide and curving Elbe, in the Baroque historic city center, where blackened sandstone fairies cavort from ancient rooftops, workers waddle by, clearing debris with wheelbarrows. The city is finally digging out from the famous February 13, 1945, British RAF bombing run followed the next morning with an attack by the U.S. Army Air Force. Initially, the German police claimed 18,000 dead. But in subsequent years the count has wavered between 30,000 and 130,000.
Germany fell, and with little chance for recrimination against the rest of the world, Germans have, for a half century, denounced the bombing of Dresden as cruel and unnecessary.
Before it was bombed into a rum, Dresden, the capital of Saxony, had been one of the prized centers of Germany. The old walled medieval town reached its golden age in the eighteenth century. A Protestant church with a huge dome defining the city skyline, the Frauenkirche, became the symbol of Dresden—like an Eiffel Tower or an Empire State building. Bach gave the Frauenkirche's first organ concert.
But for forty-five years after the 1945 bombing, the view across the Elbe was of the piles of stone, staircases