A Christmas Homecoming - Anne Perry [52]
The icehouse was ahead of her, half under some trees whose black branches seemed to rest on the roof. There was something else up there: piles of wood like discarded floorboards, half-covered with snow. There were more timbers to one side of the house, and bags of something. Coal? No, there was room in the cellar. Kindling? It would get soaked and be of no use. Perhaps rubbish no one had been able to dispose of properly in the snow.
In spite of the stillness, the wind seemed to sigh a little in the bare branches, and several lumps of snow fell off the trees. She was right: It was thawing, just a tiny bit.
Could the killer have put Ballin’s body out here, with the rubbish? How long could it remain hidden? Perhaps they had planned to do something else with it after a few days?
She walked with difficulty, forced to lift her feet unnaturally high in the deep snow. Suddenly she was anxious. Should she look now, or ask Joshua to help her in daylight? But what a cowardly thing to do, when she didn’t even know if there was anything here or not. And maybe if whoever killed Ballin saw her footsteps in the snow leading to the side of the icehouse, they would know someone had been there, and move the body before she had another chance to check for it.
She reached the sacks of rubbish, holding the lantern high so she could see. The timber had slid a little, and several pieces were lying over the tops of the bags. She put the lantern down carefully and started to lift the top piece of wood. She put it to one side and lifted the next one.
Then it happened—the shift in the snow on the roof. She looked up. A few lumps dropped off and fell onto the sacks. The stars were brilliant above the pale outline of the ridge, and she could see the ends of wood poking up. A larger lump of snow fell. Then as she stepped back, without thinking pulling the wood with her, there was a roar of sliding snow on the slates. A figure launched itself at her, diving downward, head thrown back, mouth wide open. It struck her so hard she staggered backward, falling into the deep snow as it landed hard, half on top of her. By the yellow light of the lantern she saw the hideously distorted face, glaring eyes, flesh eaten away and sliding off, teeth bared.
She screamed, again and again, her lungs aching.
Nothing happened. No one came.
Ballin’s terrible face was inches from her, his body hard as rock. But something had happened to him, beyond agony, beyond death. The flesh of his cheeks seemed to have half-dissolved and slipped sideways, crookedly. Even his nose was rotted away, twisted to one side.
For a moment she thought her heart was going to burst. She was alone in the night with the face of evil, the vampire without his human mask. This thing was a creature of the night, dead and yet not dead.
There was no one to help. She must do this alone. She steadied her breath and forced herself to grab the lantern and look at the body. It was frozen rigid, as unbending as the planks of wood that had held it up there on the icehouse roof.
His face was terrible, as if it were falling apart. How could that happen in the paralyzing cold, and so soon after death?
She made herself look at it again, steadily. Her hand shook, and the light of the lantern wavered over Ballin’s face. Caroline stared and stared, and slowly she realized that it was not decay that made him look as if he were rotting and falling apart. His face was literally sliding off his skin. It was actor’s makeup. More than greasepaint, he had a thin layer of some rubbery kind of substance, a gum of some nature, to pad out his cheeks and nose. Underneath it she saw the harder, deeper lines of a different face, one that in some half-remembered way was vaguely familiar.