A Clockwork Orange - Burgess, Anthony [70]
“Yes yes yes,” he said. “There are certain men who wanted to use you, yes, use you for political ends. They would have been glad, yes, glad for you to be dead, for they thought they could then blame it all on the Government. I think you know who those men are.”
“There is a man,” said the Intinfmin, “called F. Alexander, a writer of subversive literature, who has been howling for your blood. He has been mad with desire to stick a knife in you. But you’re safe from him now. We put him away.”
“He was supposed to be like a droogie,” I said. “Like a mother to me was what he was.”
“He found out that you had done wrong to him. At least,” said the Min very very skorry, “he believed you had done wrong. He formed this idea in his mind that you had been responsible for the death of someone near and dear to him.”
“What you mean,” I said, “is that he was told.”
“He had this idea,” said the Min. “He was a menace. We put him away for his own protection. And also,” he said, “for yours.”
“Kind,” I said. “Most kind of thou.”
“When you leave here,” said the Min, “you will have no worries. We shall see to everything. A good job on a good salary. Because you are helping us.”
“Am I?” I said.
“We always help our friends, don’t we?” And then he took my rooker and some veck creeched: “Smile!” and I smiled like bezoomny without thinking, and then flash flash crack flash bang there were pictures being taken of me and the Intinfmin all droogy together. “Good boy,” said this great chelloveck. “Good good boy. And now, see, a present.” What was brought in now, brothers, was a big shiny box, and I viddied clear what sort of a veshch it was. It was a stereo. It was put down next to the bed and opened up and some veck plugged its lead into the wall-socket. “What shall it be?” asked a veck with otchkies on his nose, and he had in his rookers lovely shiny sleeves full of music. “Mozart? Beethoven? Schoenberg? Carl Orff?”
“The Ninth,” I said. “The glorious Ninth.” And the Ninth it was, O my brothers. Everybody began to leave nice and quiet while I laid there with my glazzies closed, slooshying the lovely music. The Min said: “Good good boy,” patting me on the pletcho, then he ittied off. Only one veck was left, saying: “Sign here, please.” I opened my glazzies up to sign, not knowing what I was signing and not, O my brothers, caring either. Then I was left alone with the glorious Ninth of Ludwig van.
Oh it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.
A Clockwork Orange
7
‘What’s it going to be then, eh?’
There was me, Your Humble Narrator, and my three droogs, that is Len, Rick, and Bully being called Bully because of his bolshly big neck and very gromky goloss which was just like some bolshy great bull bellowing auuuuuuuuh. We were sitting in the Korova Milkbar making up our rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. All round were chellovecks well away on milk plus vellocet and synthemesc and drencrom and other veshches which take you far far far away from this wicked and real world into the land to viddy Bog And All His Angels And Saints in your left sabog with lights bursting and spurting all over your mozg. What we were peeting was the old moloko with knives in it, as we used to say, to sharpen you up and make you ready for a bit of dirty twenty-to-one, but I’ve told you all that before.
We were dressed in the heighth of fashion, which in those days was these very wide trousers and a very loose black shiny leather like jerkin over an open-necked shirt with a like scarf tucked in. At this time too it was the heighth of fashion to use the old britva on the gulliver, so that