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A Complete Account of the Settlement [88]

By Root 1233 0
himself a being, born with all those powers which education expands, and all those sensations which culture refines." With a lighted stick brought from the canoe they now kindle a small fire at the mouth of the hut and prepare to dress their meal. They begin by throwing the fish exactly in the state in which it came from the water, on the fire. When it has become a little warmed they take it off, rub away the scales, and then peal off with their teeth the surface, which they find done and eat. Now, and not before, they gut it; but if the fish be a mullet or any other which has a fatty substance about the intestines, they carefully guard that part and esteem it a delicacy. The cooking is now completed by the remaining part being laid on the fire until it be sufficiently done. A bird, a lizard, a rat, or any other animal, they treat in the same manner. The feathers of the one and the fur of the other, they thus get rid of.*

[*They broil indiscriminately all substances which they eat. Though they boil water in small quantities in oyster shells for particular purposes, they never conceived it possible until shown by us, to dress meat by this method, having no vessel capable of containing a fish or a bird which would stand fire. Two of them once stole twelve pounds of rice and carried it off. They knew how we cooked it, and by way of putting it in practice they spread the rice on the ground before a fire, and as it grew hot continued to throw water on it. Their ingenuity was however very ill rewarded, for the rice became so mingled with the dirt and sand on which it was laid, that even they could not eat it, and the whole was spoiled.]

Unless summoned away by irresistable necessity, sleep always follows the repast. They would gladly prolong it until the following day; but the canoe wants repair, the fish-gig must be barbed afresh, new lines must be twisted, and new hooks chopped out. they depart to their respective tasks, which end only with the light.

Such is the general life of an Indian. But even he has his hours of relaxation, in seasons of success, when fish abounds. Wanton with plenty, he now meditates an attack upon the chastity of some neighbouring fair one; and watching his opportunity he seizes her and drags her away to complete his purpose. The signal of war is lighted; her lover, her father, her brothers, her tribe, assemble, and vow revenge on the spoiler. He tells his story to his tribe. They judge the case to be a common one and agree to support him. Battle ensues; they discharge their spears at each other, and legs and arms are transpierced. When the spears are expended the combatants close and every species of violence is practiced. They seize their antagonist and snap like enraged dogs, they wield the sword and club, the bone shatters beneath their fall and they drop the prey of unsparing vengeance.

Too justly, as my observations teach me has Hobbes defined a state of nature to be a state of war. In the method of waging it among these people, one thing should not, however, escape notice. Unlike all other Indians, they never carry on operations in the night, or seek to destroy by ambush and surprise. Their ardent fearless character, seeks fair and open combat only.

But enmity has its moments of pause. Then they assemble to sing and dance. We always found their songs disagreeable from their monotony. They are numerous, and vary both in measure and time. They have songs of war, of hunting, of fishing, for the rise and set of the sun, for rain, for thunder and for many other occasions. One of these songs, which may be termed a speaking pantomime, recites the courtship between the sexes and is accompanied with acting highly expressive. I once heard and saw Nanbaree and Abaroo perform it. After a few preparatory motions she gently sunk on the ground, as if in a fainting fit. Nanbaree applying his mouth to her ear, began to whisper in it, and baring her bosom, breathed on it several times. At length, the period of the swoon having expired, with returning animation she gradually
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