A Defence of Poesie and Poems [22]
alloweth community of women. So, as belike this banishment grew not for effeminate wantonness, since little should poetical sonnets be hurtful, when a man might have what woman he listed. But I honour philosophical instructions, and bless the wits which bred them, so as they be not abused, which is likewise stretched to poetry. Saint Paul himself sets a watchword upon philosophy, indeed upon the abuse. So doth Plato upon the abuse, not upon poetry. Plato found fault that the poets of his time filled the world with wrong opinions of the gods, making light tales of that unspotted essence, and therefore would not have the youth depraved with such opinions. Herein may much be said; let this suffice: the poets did not induce such opinions, but did imitate those opinions already induced. For all the Greek stories can well testify that the very religion of that time stood upon many and many-fashioned gods; not taught so by poets, but followed according to their nature of imitation. Who list may read in Plutarch the discourses of Isis and Osiris, of the cause why oracles ceased, of the Divine providence, and see whether the theology of that nation stood not upon such dreams, which the poets indeed superstitiously observed; and truly, since they had not the light of Christ, did much better in it than the philosophers, who, shaking off superstition, brought in atheism.
Plato, therefore, whose authority I had much rather justly construe than unjustly resist, meant not in general of poets, in those words of which Julius Scaliger saith, "qua authoritate, barbari quidam atque insipidi, abuti velint ad poetas e republica exigendos {71}:" but only meant to drive out those wrong opinions of the Deity, whereof now, without farther law, Christianity hath taken away all the hurtful belief, perchance as he thought nourished by then esteemed poets. And a man need go no farther than to Plato himself to know his meaning; who, in his dialogue called "Ion," {72} giveth high, and rightly, divine commendation unto poetry. So as Plato, banishing the abuse, not the thing, not banishing it, but giving due honour to it, shall be our patron, and not our adversary. For, indeed, I had much rather, since truly I may do it, show their mistaking of Plato, under whose lion's skin they would make an ass- like braying against poesy, than go about to overthrow his authority; whom, the wiser a man is, the more just cause he shall find to have in admiration; especially since he attributeth unto poesy more than myself do, namely, to be a very inspiring of a divine force, far above man's wit, as in the fore-named dialogue is apparent.
Of the other side, who would show the honours have been by the best sort of judgments granted them, a whole sea of examples would present themselves; Alexanders, Caesars, Scipios, all favourers of poets; Laelius, called the Roman Socrates, himself a poet; so as part of Heautontimeroumenos, in Terence, was supposed to be made by him. And even the Greek Socrates, whom Apollo confirmed to be the only wise man, is said to have spent part of his old time in putting AEsop's Fables into verse; and, therefore, full evil should it become his scholar Plato to put such words in his master's mouth against poets. But what needs more? Aristotle writes the "Art of Poesy;" and why, if it should not be written? Plutarch teacheth the use to be gathered of them; and how, if they should not be read? And who reads Plutarch's either history or philosophy, shall find he trimmeth both their garments with guards {73} of poesy.
But I list not to defend poesy with the help of his underling historiographer. Let it suffice to have showed it is a fit soil for praise to dwell upon; and what dispraise may be set upon it is either easily overcome, or transformed into just commendation. So that since the excellences of it may be so easily and so justly confirmed, and the low creeping objections so soon trodden down {74}; it not being an art of lies, but of true doctrine; not of effeminateness, but of notable stirring of courage; not of abusing
Plato, therefore, whose authority I had much rather justly construe than unjustly resist, meant not in general of poets, in those words of which Julius Scaliger saith, "qua authoritate, barbari quidam atque insipidi, abuti velint ad poetas e republica exigendos {71}:" but only meant to drive out those wrong opinions of the Deity, whereof now, without farther law, Christianity hath taken away all the hurtful belief, perchance as he thought nourished by then esteemed poets. And a man need go no farther than to Plato himself to know his meaning; who, in his dialogue called "Ion," {72} giveth high, and rightly, divine commendation unto poetry. So as Plato, banishing the abuse, not the thing, not banishing it, but giving due honour to it, shall be our patron, and not our adversary. For, indeed, I had much rather, since truly I may do it, show their mistaking of Plato, under whose lion's skin they would make an ass- like braying against poesy, than go about to overthrow his authority; whom, the wiser a man is, the more just cause he shall find to have in admiration; especially since he attributeth unto poesy more than myself do, namely, to be a very inspiring of a divine force, far above man's wit, as in the fore-named dialogue is apparent.
Of the other side, who would show the honours have been by the best sort of judgments granted them, a whole sea of examples would present themselves; Alexanders, Caesars, Scipios, all favourers of poets; Laelius, called the Roman Socrates, himself a poet; so as part of Heautontimeroumenos, in Terence, was supposed to be made by him. And even the Greek Socrates, whom Apollo confirmed to be the only wise man, is said to have spent part of his old time in putting AEsop's Fables into verse; and, therefore, full evil should it become his scholar Plato to put such words in his master's mouth against poets. But what needs more? Aristotle writes the "Art of Poesy;" and why, if it should not be written? Plutarch teacheth the use to be gathered of them; and how, if they should not be read? And who reads Plutarch's either history or philosophy, shall find he trimmeth both their garments with guards {73} of poesy.
But I list not to defend poesy with the help of his underling historiographer. Let it suffice to have showed it is a fit soil for praise to dwell upon; and what dispraise may be set upon it is either easily overcome, or transformed into just commendation. So that since the excellences of it may be so easily and so justly confirmed, and the low creeping objections so soon trodden down {74}; it not being an art of lies, but of true doctrine; not of effeminateness, but of notable stirring of courage; not of abusing