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A Distant Mirror_ The Calamitous 14th Century - Barbara W. Tuchman [19]

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treat strangers honorably, they praise fair deeds, they are courteous and gracious in speech and “very gay, giving themselves up to pleasure and seeking it. They are very amorous, women as well as men, and proud of it.”

As a result of Norman conquests and the crusades, French was spoken as a second mother tongue by the noble estate in England, Flanders, and the Kingdom of Naples and Sicily. It was used as the language of business by Flemish magnates, by law courts in the remnants of the Kingdom of Jerusalem, by scholars and poets of other lands. Marco Polo dictated his Travels in French, St. Francis sang French songs, foreign troubadours modeled their tales of adventure on the French chansons de geste. When a Venetian scholar translated a Latin chronicle of his city into French rather than Italian, he explained his choice on the ground that “the French language is current throughout the world and more delightful to hear and read than any other.”

The architecture of Gothic cathedrals was called the “French style”; a French architect was invited to design London Bridge; Venice imported dolls from France dressed in the latest mode in order to keep up with French fashions; exquisitely carved French ivories, easily transportable, penetrated to the limits of the Christian world. Above all, the University of Paris elevated the name of the French capital, surpassing all others in the fame of its masters and the prestige of its studies in theology and philosophy, though these were already petrifying in the rigid doctrines of Scholasticism. Its faculty at the opening of the 14th century numbered over 500, its students, attracted from all countries, were too numerous to count. It was a magnet for the greatest minds: Thomas Aquinas of Italy taught there in the 13th century, as did his own teacher Albertus Magnus of Germany, his philosophical opponent Duns Scotus of Scotland, and in the next century, the two great political thinkers, Marsilius of Padua and the English Franciscan William of Ockham. By virtue of the university, Paris was the “Athens of Europe”; the Goddess of Wisdom, it was said, after leaving Greece and then Rome, had made it her home.

The University’s charter of privileges, dating from 1200, was its greatest pride. Exempted from civil control, the University was equally haughty in regard to ecclesiastical authority, and always in conflict with Bishop and Pope. “You Paris masters at your desks seem to think the world should be ruled by your reasonings,” stormed the papal legate Benedict Caetani, soon to be Pope Boniface VIII. “It is to us,” he reminded them, “that the world is entrusted, not to you.” Unconvinced, the University considered itself as authoritative in theology as the Pope, although conceding to Christ’s Vicar equal status with itself as “the two lights of the world.”


In this favored land of the Western world, the Coucy inheritance in 1335 was as rich as it was ancient. Watered by the Ailette, the Coucys’ land was called the vallée d’or (golden valley) because of its resources in timber, vineyards, grain crops, and a profusion of fish in the streams. The magnificent forest of St. Gobain covered more than 7,000 acres of primeval oak and beech, ash and birch, willow, alder and quivering aspen, wild cherry and pine. The home of deer, wolves, wild boar, heron, and every other bird, it was a paradise for the hunt. From taxes and land rents and feudal dues of various kinds increasingly converted to money, from tolls on bridges and fees for use of the lord’s flour mill, wine press, and bread ovens, the annual revenue of an estate the size of Coucy would have been in the range of 5,000 to 6,000 livres.

Everything that had formed the fief since the tree trunks at Codiciacum was symbolized in the great lion platform of stone in front of the castle gate where vassals came to present rents and homage. The platform rested on three lions, couchant, one devouring a child, one a dog, and in between them, a third, quiescent. On top was a fourth lion seated in all the majesty the sculptor could evoke. Three times a year

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