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A Distant Mirror_ The Calamitous 14th Century - Barbara W. Tuchman [342]

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of text, which might be Pliny or Horace, they illustrated the contemporary world in plants and animals, medical procedures, wedding processions, ships, castles, battles, banquets, and, not least, in the supreme Visconti Hours, in three portraits of Gian Galeazzo himself. The artist, Giovanni dei Grassi, surrounded by his pots of pigment and precious gold leaf, was at work on the Hours in the year of Coucy’s visit.

Undoubtedly Coucy would have seen the rising construction of the Milan Cathedral, of which his host had laid the foundations in 1386 in pious gratitude for his successful ouster of the impious Bernabò. While Gian Galeazzo gave a monthly subsidy of 500 florins, the building was a product of the popular will, pursued with an impulse so vigorous that the pillars of the nave were already completed. Participation and funds came from all classes. The Guild of Armorers came in a body to begin the work of carrying away rubble in baskets. Not to be outdone, the Drapers followed, then the College of Notaries, government officials, nobles, and others in a steady stream of voluntary labor. Districts of the city vied with each other in contributions. When the Porta Orientale gave an ass worth fifty lire and a day’s work on the excavations, the Porta Vercellina gave a calf worth 150 lire. In the record of donations the whole of society appears: consecutive entries list three lire, four soldi from “Raffalda, prostitute,” and 160 lire from the secretary of Valentina dei Visconti, Duchesa d’Orléans.

Coucy concluded two treaties with the lord of Milan, one providing for a joint force to take Genoa, the other concerning the Voie de Fait. In the second treaty Visconti undertook to provide a certain number of lances if the King of France came to Italy in person, and a more limited number if the leader were Orléans or—which was hardly likely—the Duke of Burgundy.

The reason for the reference to Burgundy remains hidden in the enigmatic statecraft of Gian Galeazzo. He was a ruler who always played both sides in pursuit of his goal and was prepared to abandon one for the other when necessary. In his need of an ally against Florence and Bologna, he could see that France, with an unstable King and a struggle between uncle and nephew for control of policy, was a shifting proposition, and the Voie de Fait, since the death of Clement, a fading prospect. While negotiating with Coucy, he was already mending relations with his technical overlord, the Emperor Wenceslas, who, like himself, needed support against domestic enemies. To confirm his imperial title, Wenceslas would have to undertake that hazard of emperors, the journey to Rome for formal coronation by the Pope. Visconti wealth would make it possible. In exchange for 100,000 florins in 1395, Wenceslas sold Gian Galeazzo the title of hereditary Duke of Milan with sovereignty over 25 cities. As the first such title in Italy, it marked the line where the age of city-states passed into the age of despots. It did not help Wenceslas, who was charged by his opponents with illegally alienating imperial territory and was ultimately deposed before ever becoming secure enough to make the journey to Italy.

While Coucy pushed forward the campaign against Genoa, another deal was arranged behind his back. A coalition of Florence, Burgundy, and Queen Isabeau induced Doge Adorno, as a means of keeping himself in office, to offer the sovereignty of Genoa to Charles VI, effectively thwarting Orléans and Visconti. On the edge of renewed madness in 1395, Charles could be manipulated. In the “grievous March” of that year, on being informed that the King had bought out Louis’ interests in Genoa for 300,000 francs, Coucy discovered himself acting for a different principal. On the crown’s instructions, he now negotiated a truce with the Doge Adorno, who promptly broke it by laying siege to regain Savona. In the course of the defense Coucy was immobilized for four days in July by a “wounded leg,” which may have been a fresh injury or an effect of the old injury suffered ten years before. He can be glimpsed

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