A Farewell to Arms - Ernest Hemingway [28]
In the elevator we were crowded and as my legs bent the pain was very bad. "Straighten out the legs," I said.
"We can't, Signor Tenente. There isn't room." The man who said this had his arm around me and my arm was around his neck. His breath came in my face metallic with garlic and red wine.
"Be gentle," the other man said.
"Son of a bitch who isn't gentle!"
"Be gentle I say," the man with my feet repeated.
I saw the doors of the elevator closed, and the grill shut and the fourth-floor button pushed by the porter. The porter looked worried. The elevator rose slowly.
"Heavy?" I asked the man with the garlic.
"Nothing," he said. His face was sweating and he grunted. The elevator rose steadily and stopped. The man holding the feet opened the door and stepped out. We were on a balcony. There were several doors with brass knobs. The man carrying the feet pushed a button that rang a bell. We heard it inside the doors. No one came. Then the porter came up the stairs.
"Where are they?" the stretcher-bearers asked.
"I don't know," said the porter. "They sleep down stairs."
"Get somebody."
The porter rang the bell, then knocked on the door, then he opened the door and went in. When he came back there was an elderly woman wearing glasses with him. Her hair was loose and half-falling and she wore a nurse's dress.
"I can't understand," she said. "I can't understand Italian."
"I can speak English," I said. "They want to put me somewhere."
"None of the rooms are ready. There isn't any patient expected." She tucked at her hair and looked at me near-sightedly.
"Show them any room where they can put me."
"I don't know," she said. "There's no patient expected. I couldn't put you in just any room."
"Any room will do," I said. Then to the porter in Italian, "Find an empty room."
"They are all empty," said the porter. "You are the first patient." He held his cap in his hand and looked at the elderly nurse.
"For Christ's sweet sake take me to some room." The pain had gone on and on with the legs bent and I could feel it going in and out of the bone. The porter went in the door, followed by the grayhaired woman, then came hurrying back. "Follow me," he said. They carried me down a long hallway and into a room with drawn blinds. It smelled of new furniture. There was a bed and a big wardrobe with a mirror. They laid me down on the bed.
"I can't put on sheets," the woman said. "The sheets are locked up."
I did not speak to her. "There is money in my pocket," I said to the porter. "In the buttoned-down pocket." The porter took out the money. The two stretcher-bearers stood beside the bed holding their caps. "Give them five lire apiece and five lire for yourself. My papers are in the other pocket. You may give them to the nurse."
The stretcher-bearers saluted and said thank you. "Good-by," I said. "And many thanks." They saluted again and went out.
"Those papers," I said to the nurse, "describe my case and the treatment already given."
The woman picked them up and looked at them through her glasses. There were three papers and they were folded. "I don't know what to do," she said. "I can't read Italian. I can't do anything without the doctor's orders." She commenced to cry and put the papers in her apron pocket. "Are you an American?" she asked crying.
"Yes. Please put the papers on the table by the bed."
It was dim and cool in the room. As I lay on the bed I could see the big mirror on the other side of the room but could not see what it reflected. The porter stood by the bed. He had a nice face and was very kind.
"You can go," I said to him. "You can go too," I said to the nurse. "What is your name?"
"Mrs. Walker."
"You can go, Mrs. Walker. I think I will go to sleep."
I was alone in the room. It was cool