A Free Man of Color - Barbara Hambly [39]
The butler conducted him up the steps to the back gallery and saw him seated in a cane chair before redescending to cross the crushed-shell path through the garden in the direction of the kitchen. From his vantage point some ten feet above ground level, January could see through the green-misted branches of the intervening willows the mottled greens and rusts of home-dyed muslins as the kitchen slaves moved around the long brick building, starting the preparations for dinner or tending to the laundry room. It seemed that only those who went by the euphemism “servants”—in effect, the house slaves—warranted full mourning for a master they might have loved or feared or simply accepted, as they would have accepted a day’s toil in summer heat. The rest simply wore what they had, home-dyed brown or weathered blue and red cotton calicoes, and the murmur of their voices drifted very faintly to him as they went about their duties.
Les Saules was a medium-size plantation of about four hundred arpents, not quite close enough to town to walk but an easy half-hour’s ride. The house was built of soft local brick, stuccoed and painted white: three big rooms in a line with two smaller “cabinets” on the back, closing in two sides of what would be the sleeping porch in summer. Panes were missing from the tall doors that let onto the gallery, the openings patched with cardboard, and through the bare trees January could see that the stucco of the kitchen buildings was broken in places, showing the soft brick underneath. In the other direction, past the dilapidated garçonnière and the dovecotes, the work gang weeding the nearby field of second-crop cane looked too few for the job.
He recalled the heavy strands of antique pearls and emeralds on Angelique Crozat’s bosom and in her hair. Old René Dubonnet, he remembered, had owned fifteen arpents along Lake Pontchartrain, living each year off the advances on next year’s crop. Like most planters and a lot of biblical kings, he had been wealthy in land and slaves but possessed little in the way of cash and was mortgaged to his back teeth. There was no reason to think Arnaud Trepagier was any different.
But there was always money, in those old families, to keep a town house and a quadroon mistress, just as there was always money to send the sons to Paris to be educated and the daughters to piano lessons and convent schools. There was always money for good wines, expensive weddings, the best horseflesh. There was always money to maintain the old ways, the old traditions, in the face of squalid Yankee upstarts.
Many years ago, before he’d departed for Paris, January had played at a coming-out party at a big town house on Rue Royale. It had not been too many months after the final defeat of the British at Chalmette, and one of the guests, the junior partner in a brokerage house, had brought a friend, an American, very wealthy, polite, and clearly well-bred, and, as far as January could judge such things, handsome.
Only one French girl had even gone near him, the daughter of an impoverished planter who’d been trying for years to marry her off. Her brothers had threatened to horsewhip the man if he spoke to her again.
“Monsieur Janvier?”
He turned, startled from his reverie.
Madeleine Trepagier stood in the half-open doors of the central parlor, a dark shape in her mourning dress. Her dark hair was smoothed into a neat coil on the back of her head, eschewing the bunches of curls fashionable in society, and covered with a black lace cap. Without the buckskin mask of a Mohican maid and the silly streaks of red and blue paint, January could see that the promise of her childhood beauty had been fulfilled.
He rose and bowed. “Madame Trepagier.”
She took a seat in the other cane chair, looking out