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A Hedonist in the Cellar_ Adventures in Wine - Jay McInerney [21]

By Root 289 0
the game show that is blaring in the background.

Quintarelli’s cellar is pleasingly cluttered and medieval-looking, full of giant old Slovenian casks. I don’t see any steel tanks. Nor any of the new oak barriques that dominate dal Forno’s pristine cellar. Although the family resemblance is unmistakable, Quintarelli’s Amarones are more earthy than dal Forno’s, and even more complex, suggestive of figs and dates, bittersweet cherry and black licorice. They inspire contemplation and wonder. To my mind, they are the ultimate expression of this extreme concept. My visit overlaps with that of two French wine writers whose initial irritation at sharing the cellar with an American is eventually overridden by their pleasure in the wine, which they acknowledge is unlike anything produced in la belle France.

The courtly, tweedy Stefano Cesari, proprietor of the nearby Brigaldara estate, shows me the real secret of Amarone, leading me up a flight of stairs to a loft in the barn behind his fourteenth-century villa, where thousands of wooden trays are suspended, one atop another. If most wines are made in the cellar, Amarone is made in the attic.

Every fall, the choicest grapes of the vintage are set out in racks to dry for a period of months. This process, which dates back at least to the time of Pliny, who commended it, concentrates the sugar—and often induces botrytis, the noble rot responsible for the flavor of the great whites of Sauternes. (Botrytis is not welcomed by all makers; some, like Allegrini, have installed humidity-controlled drying chambers to prevent its formation.) Drying does for the grapes what a turbo-charger does for a V-8 engine. Traditionally, a sweet wine resulted, because the grapes stopped fermenting before the sugar was consumed. Called Recioto della Valpolicella, this sweet red is still produced. Cesari tells me the first cask of Amarone was a mistake—a barrel that fermented all the way to dryness sometime in the early part of the century (other sources point to much earlier origins). This style became known as amaro (bitter) recioto and was eventually produced in commercial quantities in the 1950s.

Just as its exact origins are obscure, Amarone remains a mysterious, almost schizophrenic wine. As Bastianich and Lynch suggest in Vino Italiano, “It behaves like a sweet wine without technically being sweet.” The bouquet of dried fruits and the syrupy texture suggest port; it tends to trick the palate by seeming sweet in the beginning and finishing dry, even slightly bitter, like unsweetened chocolate.

When I get in the Amarone mood, I often look for Allegrini, one of the most innovative and exciting estates in Valpolicella, or Brigaldara, which excelled not only in the stellar ′97 vintage but also in the less opulent ′98 and ′99 vintages. Bussola, Masi, and Tedeschi make powerhouse Amarones in the dal Forno mold, while Accordini, Bertani, Bolla (yup, that Bolla), and Speri produce slightly lighter, more approachable versions.

As complex as it is, I like to think of Amarone as the perfect primer wine for those who are suspicious of the cornucopia of flavor analogies that wine critics come up with. I’m often baffled myself when I read wine notes full of huckleberries and hawthorn blossoms. But give me a glass of Amarone and I’m the man! Step back, Bob Parker! Even the beginning taster can feel like a professional as he effortlessly identifies the intense flavors and aromas of the most extreme red wine on the planet. Cherries! Dates! Figs! Black licorice! Leather! Coffee! Bittersweet chocolate! Tobacco! Et cetera, et cetera.

CAPE CRUSADERS

South African Reds

Nelson Mandela, Charlize Theron, and Pinotage are among South Africa’s distinctive contributions to global culture. The last is an unlikely hybrid of two French grape varietals: finicky, noble Pinot Noir and mulish Cinsault—imagine the love child of Jean Seberg and Congressman Bob Barr. Who knows what Professor Abraham Perold was drinking when he came up with this idea. While Pinotage can sometimes smell like nail polish remover au poivre, at

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