A History of Science-4 [113]
names. This was the great secret which Young missed and which his French successor, Jean Francois Champollion, working on the foundation that Young had laid, was enabled to ferret out.
Young's initial studies of the Rosetta Stone were made in 1814; his later publication bore date of 1819. Champollion's first announcement of results came in 1822; his second and more important one in 1824. By this time, through study of the cartouches of other inscriptions, Champollion had made out almost the complete alphabet, and the "riddle of the Sphinx" was practically solved. He proved that the Egyptians had developed a relatively complete alphabet (mostly neglecting the vowels, as early Semitic alphabets did also) centuries before the Phoenicians were heard of in history. What relation this alphabet bore to the Phoenician we shall have occasion to ask in another connection; for the moment it suffices to know that those strange pictures of the Egyptian scroll are really letters.
Even this statement, however, must be in a measure modified. These pictures are letters and something more. Some of them are purely alphabetical in character and some are symbolic in another way. Some characters represent syllables. Others stand sometimes as mere representatives of sounds, and again, in a more extended sense, as representations of things, such as all hieroglyphics doubtless were in the beginning. In a word, this is an alphabet, but not a perfected alphabet, such as modern nations are accustomed to; hence the enormous complications and difficulties it presented to the early investigators.
Champollion did not live to clear up all these mysteries. His work was taken up and extended by his pupil Rossellini, and in particular by Dr. Richard Lepsius in Germany, followed by M. Bernouf, and by Samuel Birch of the British Museum, and more recently by such well-known Egyptologists as MM. Maspero and Mariette and Chabas, in France, Dr. Brugsch, in Germany, and Dr. E. Wallis Budge, the present head of the Department of Oriental Antiquities at the British Museum. But the task of later investigators has been largely one of exhumation and translation of records rather than of finding methods.
TREASURES FROM NINEVEH
The most casual wanderer in the British Museum can hardly fail to notice two pairs of massive sculptures, in the one case winged bulls, in the other winged lions, both human-headed, which guard the entrance to the Egyptian hall, close to the Rosetta Stone. Each pair of these weird creatures once guarded an entrance to the palace of a king in the famous city of Nineveh. As one stands before them his mind is carried back over some twenty-seven intervening centuries, to the days when the "Cedar of Lebanon" was "fair in his greatness" and the scourge of Israel.
The very Sculptures before us, for example, were perhaps seen by Jonah when he made that famous voyage to Nineveh some seven or eight hundred years B.C. A little later the Babylonian and the Mede revolted against Assyrian tyranny and descended upon the fair city of Nineveh, and almost literally levelled it to the ground. But these great sculptures, among other things, escaped destruction, and at once hidden and preserved by the accumulating debris of the centuries, they stood there age after age, their very existence quite forgotten. When Xenophon marched past their site with the ill-starred expedition of the ten thousand, in the year 400 B.C., he saw only a mound which seemed to mark the site of some ancient ruin; but the Greek did not suspect that he looked upon the site of that city which only two centuries before had been the mistress of the world.
So ephemeral is fame! And yet the moral scarcely holds in the sequel; for we of to-day, in this new, undreamed-of Western world, behold these mementos of Assyrian greatness fresh from their twenty-five hundred years of entombment, and with them records which restore to us the history of that long-forgotten people in such detail as it was not known to any previous generation since the fall of Nineveh. For two thousand
Young's initial studies of the Rosetta Stone were made in 1814; his later publication bore date of 1819. Champollion's first announcement of results came in 1822; his second and more important one in 1824. By this time, through study of the cartouches of other inscriptions, Champollion had made out almost the complete alphabet, and the "riddle of the Sphinx" was practically solved. He proved that the Egyptians had developed a relatively complete alphabet (mostly neglecting the vowels, as early Semitic alphabets did also) centuries before the Phoenicians were heard of in history. What relation this alphabet bore to the Phoenician we shall have occasion to ask in another connection; for the moment it suffices to know that those strange pictures of the Egyptian scroll are really letters.
Even this statement, however, must be in a measure modified. These pictures are letters and something more. Some of them are purely alphabetical in character and some are symbolic in another way. Some characters represent syllables. Others stand sometimes as mere representatives of sounds, and again, in a more extended sense, as representations of things, such as all hieroglyphics doubtless were in the beginning. In a word, this is an alphabet, but not a perfected alphabet, such as modern nations are accustomed to; hence the enormous complications and difficulties it presented to the early investigators.
Champollion did not live to clear up all these mysteries. His work was taken up and extended by his pupil Rossellini, and in particular by Dr. Richard Lepsius in Germany, followed by M. Bernouf, and by Samuel Birch of the British Museum, and more recently by such well-known Egyptologists as MM. Maspero and Mariette and Chabas, in France, Dr. Brugsch, in Germany, and Dr. E. Wallis Budge, the present head of the Department of Oriental Antiquities at the British Museum. But the task of later investigators has been largely one of exhumation and translation of records rather than of finding methods.
TREASURES FROM NINEVEH
The most casual wanderer in the British Museum can hardly fail to notice two pairs of massive sculptures, in the one case winged bulls, in the other winged lions, both human-headed, which guard the entrance to the Egyptian hall, close to the Rosetta Stone. Each pair of these weird creatures once guarded an entrance to the palace of a king in the famous city of Nineveh. As one stands before them his mind is carried back over some twenty-seven intervening centuries, to the days when the "Cedar of Lebanon" was "fair in his greatness" and the scourge of Israel.
The very Sculptures before us, for example, were perhaps seen by Jonah when he made that famous voyage to Nineveh some seven or eight hundred years B.C. A little later the Babylonian and the Mede revolted against Assyrian tyranny and descended upon the fair city of Nineveh, and almost literally levelled it to the ground. But these great sculptures, among other things, escaped destruction, and at once hidden and preserved by the accumulating debris of the centuries, they stood there age after age, their very existence quite forgotten. When Xenophon marched past their site with the ill-starred expedition of the ten thousand, in the year 400 B.C., he saw only a mound which seemed to mark the site of some ancient ruin; but the Greek did not suspect that he looked upon the site of that city which only two centuries before had been the mistress of the world.
So ephemeral is fame! And yet the moral scarcely holds in the sequel; for we of to-day, in this new, undreamed-of Western world, behold these mementos of Assyrian greatness fresh from their twenty-five hundred years of entombment, and with them records which restore to us the history of that long-forgotten people in such detail as it was not known to any previous generation since the fall of Nineveh. For two thousand