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A History of the World in 100 Objects - Dr Neil MacGregor [213]

By Root 2868 0
Vatican, it is now the most visited Catholic shrine in the world. It was there, on the site of an Aztec shrine, that in December 1531, just ten years after the conquest, the Virgin Mary appeared to a young Aztec man whom the Spaniards called Juan Diego. She asked him to trust in her and she miraculously imprinted her image on his cloak. A church was built on the site of Juan Diego’s vision, the image on the cloak produced miracles, and conversions followed in huge numbers. The crowds flooded into Guadalupe. For a long time the Catholic clergy were worried that this was in fact the worship of an Aztec goddess being continued where there had once been an Aztec shrine; but the combined forces of the two religious traditions have over the centuries proved irresistible. There are now so many visitors to Guadalupe that you have to move in front of the miraculous image on a conveyer belt. In 1737 the Virgin of Guadalupe was declared patroness of Mexico, and in 2002 Pope John-Paul II declared Juan Diego, the young Aztec born under Moctezuma, a saint of the universal Catholic Church.

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Reformation Centenary Broadsheet

Woodblock print, from Leipzig, Germany

AD 1617


You can hardly turn on the radio or open a newspaper these days without being bombarded by yet another anniversary – a hundred years since this, two hundred years since that. Our popular history seems to be written increasingly in centenaries, all generating books and exhibitions, T-shirts and special souvenir issues, in a frenzy of commemoration. Where did this habit of anniversary festivities begin? The answer takes us to the great struggle for religious freedoms played out across northern Europe in the seventeenth century. The first of all these modern centenary celebrations seems to have been organized in Germany, in Saxony in 1617; the event it was commemorating had taken place a hundred years earlier. In 1517, the story goes, Martin Luther picked up a hammer and nailed what was effectively his religious manifesto – his ninety-five theses – to a church door; in doing so he triggered the religious turmoil that would become the Protestant Reformation. The object in this chapter is a souvenir poster showing Luther’s famous act, on a large single sheet of paper called a broadsheet, made for the centenary. And it isn’t just a celebration, it’s about getting ready for war.

In 1617, when this broadsheet was made, European Protestants were facing an uncertain and dangerous future. The New Year had opened with public prayers by the Pope in Rome calling for the reunion of Christendom and the eradication of heresy. He was effectively calling the Catholic Church to arms against the Reformation. It was clear to many that a terrible religious war was about to break out. In response the Protestants tried to find a way of rallying their supporters for the fight, but unlike the Catholic Church they had no central authority to issue directions to the faithful. Protestants had to find other ways of insisting that the Reformation had been part of God’s plan for the world, that individuals had no need of priests to gain access to God’s mercy, that the Roman church was corrupt, and that Luther’s Reformation was essential to the salvation of every living soul. Above all, they needed a view of their past that would give all Protestants strength to face the terrifying future.

Before this point, no particular day or moment had been identified as the beginning of the Reformation. But leading Protestants in Saxony realized that it was now a hundred years since the heroic moment when, on 31 October 1517, Luther had first publicly challenged the authority of the Pope, so it was said, by nailing his ninety-five theses on to the door of the Castle Church at Wittenberg in Saxony. So, with a masterly sense of media management, they launched the first centenary celebration in the modern sense. All the familiar razzmatazz was there: ceremonies and processions, souvenirs, medals, paintings, printed sermons, and the broadsheet – a woodblock print which illustrates the critical day that

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