A History of the World in 100 Objects - Dr Neil MacGregor [241]
The suffragette campaign was interrupted by the outbreak of the First World War, but the war itself provided powerful, indeed conclusive, arguments for giving women the vote. Suddenly women had the chance to prove their ability in traditionally male and distinctly ‘unladylike’ environments – battlefield medicine, munitions, agriculture and industry – and once the war was over they could not be slotted back into a stereotype of delicate refinement.
In 1918 British women over the age of 30 were given the right to vote, and in 1928 the Equal Franchise Act extended the vote to all women over the age of 21, on the same terms as men. And 100 years after our penny was stamped with VOTES FOR WOMEN, a new 50p piece was issued to mark the centenary of the Women’s Social and Political Union. On the front, the queen, a woman, and on the back a woman – a suffragette chained to a railing with a billboard next to her carrying the words, legitimately on the coin this time, GIVE WOMEN THE VOTE.
A new 50p piece was issued in 2003 to mark the centenary of the WSPO
PART TWENTY
The World of Our Making
AD 1914–2010
The twentieth century and beginning of the twenty-first were an era of unprecedented conflict, social change and scientific development. Technological innovation enabled more objects to be produced and used by humankind than at any previous time in history, changing the way we relate to each other and to the material world. But many of these objects (particularly since the invention of plastic) have been ephemeral and disposable, which has given urgency to questions about the environment and global resources. As has been true for almost two million years, the objects we have produced over the last century convey our concerns, our creativity and our aspirations, and will continue to reveal them to future generations.
96
Russian Revolutionary Plate
Porcelain plate, from St Petersburg, Russia
PAINTED AD 1921
Arise, ye workers from your slumber,
Arise, ye prisoners of want.
For reason in revolt now thunders,
and at last ends the age of cant!
Away with all your superstitions,
Servile masses, arise, arise!
We’ll change henceforth the old tradition,
And spurn the dust to win the prize!
Those are the words of ‘The Internationale’, the great socialist hymn written in France in 1871. In Russia in the 1920s, it was adopted by the Bolsheviks as the anthem of the Russian Revolution. The original words were about looking forward to a time of future revolution, but significantly the Bolsheviks changed the tense in the Russian translation, moving it from the future to the present – the Revolution was now. The workers, at least in theory, had taken control.
Throughout this book we have seen images of individual rulers – from Ramesses II and Alexander the Great, to the Oba of Benin and King Edward VII – but here we have the image of a new kind of ruler, not an ‘I’ but a ‘We’, not an individual but a whole class, for in Soviet Russia we see the power of the people, or, rather, the dictatorship of the proletariat. The object in this chapter