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A History of the World in 100 Objects - Dr Neil MacGregor [39]

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Axes occupy a special place in the human story, as we first glimpsed at the beginning of this book. The farming revolution in the Near East took generations to spread from there across the breadth of mainland Europe, but eventually, about 6,000 years ago, settlers reached British and Irish shores in skin-covered boats, bringing with them crop seeds and domesticated animals. They found thick forests covering the land. It was stone axes that enabled them to clear the spaces they needed to sow their seeds and graze their beasts. With axes the settlers made for themselves a new wooden world: they felled timber and built fences and trackways, houses and boats. These were the people who would also construct monuments like the first Stonehenge. Stone axes were the revolutionary tool that enabled our ancestors to create in England a green and pleasant land.

Axes like this one normally have a haft – that is, they’re fitted into a long wooden handle and they’re used like a modern axe. But it’s quite clear that our axe has never been hafted – in fact, it shows no signs of wear and tear at all. If I run my finger carefully round the blade end, I can’t feel even the smallest chip. The long flat surfaces are remarkably smooth and still have a glossy, mirror-like sheen.

The conclusion is inescapable. Not only has our axe not been used – it was never intended to be used, but rather to be admired. Mark Edmonds, of York University, explains how this magnificent prestige object was made:

If you have the good fortune to handle one of these axes – the feel in the hand, the balance, the weight, the smoothness – you can tell they have been polished to an extraordinary degree. To give that polish it will have been ground for hour upon hour against stone, then polished with fine sand or silt and water, and then rubbed backwards and forwards in the hand, perhaps with grease and leaves. That’s days and days of work. It gives the edge a really sharp and resilient bite, but the polishing also emphasizes the shape, allows the control of form, and brings out that extraordinary green and black speckled quality to the stone – it makes it instantly recognizable, and visually very striking. Those things may be just as important for this particular axe as the cutting edge.

The most exciting thing about this axe head, however, is not how it has been made, but what it is made of. It doesn’t have the usual grey-brown tones that you find in British stones and flints, but is a beautiful striking green. This axe is made from jade.

Jade is, of course, foreign to British soil – we tend to think of it as an exotic material from the Far East or from Central America; both the Chinese and the Central American civilizations are known to have valued jade far more highly than gold. These sources are thousands of miles away from Britain, so archaeologists were baffled for many years by where the jade in Europe could have come from. But there are actually sources of jade in continental Europe and, only a few years ago, in 2003 – some 6,000 years after our axe head was made – the precise origin of the stone it was made from was discovered. This luxury object is in fact Italian.

Archaeologists Pierre and Anne-Marie Pétrequin spent twelve hard years surveying and exploring the mountain ranges of the Italian Alps and the northern Apennines. Finally they found the prehistoric jade quarries that our axe comes from. Pierre Pétrequin describes the adventure:

We had worked in Papua New Guinea, and studied how the stone for the axe heads there comes from high in the mountains. This gave us the idea of going up very high in the Alps to try and find the sources of European jade. In the 1970s, many geologists had said that the axe-makers would just have used blocks of jade that had been carried down the mountains by rivers and glaciers. But that’s not the case. By going much higher up, between 1,800 and 2,400 metres above sea level, we found the chipping floors and the actual source material – still with signs of its having been used.

In some cases, the raw material

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