A House for Mr. Biswas - V.S. Naipaul [193]
The speed with which the house went up took him by surprise. The builders had given him no opportunity to withdraw, and at the end he found that his savings were nearly all gone. He felt uneasy. His circumstances had changed; but his ambition had remained steady, and now seemed only idyllic and absurd. He had built his own house, in a place as wild and out-of-the-way as he could have wished. But Shama had to walk a mile to the village to do her shopping, water had to be brought up the hill from a spring in the cocoa woods. And there was the problem of transport. He had to cycle long distances every day, and though he had cut himself off from the family, his children had to go to school in the family car.
After he had bought a Slumberking bed (delivered by two Port of Spain vanmen who swore as they made their various trips up and down the improperly cleared and precipitous path) his money was exhausted. The house was not painted. It stood red-raw in its unregulated green setting, not seeming to invite habitation so much as decay.
Shama, though pained by the quarrel with Chinta, did not approve of the move. She regarded it as provocative, and like the children, she had watched the house rise and wished it not to be completed. The children wanted to go back to Port of Spain, to the life they had had before Shorthills. They knew about the housing shortage but blamed Mr Biswas for not trying hard enough. The new house imprisoned them in silence and bush. They had no pleasures, no cinema shows, no walks, no games even, for the land around the house still smelled of snakes. The nights seemed longer and blacker. The girls stayed close to Shama, as though frightened to be by themselves; and in her shanty kitchen Shama sang sad Hindi songs.
Late one afternoon, not long after they had moved, Anand found himself alone in the house. Mr Biswas was out, the girls were in the kitchen with Shama. The house felt bare, unused and still exposed; corners held no secrets; none of the furniture seemed to have found its place. Moved by boredom more than curiosity, Anand opened the bottom drawer of Shama’s dressingtable. In an envelope he found his parents’ marriage certificate and the birth certificates of his sisters and himself. On a birth certificate, which he did not at first recognize as Savi’s, he saw a name, Basso, which he had never heard used. He saw Mr Biswas’s harsh scrawl: Real calling name: Lakshmi. In the column headed ‘Father’s Occupation’ labourer had been energetically scratched out and proprietor written in. No other birth certificate had been so scribbled over. Some photographs were wrapped in crinkled brown paper. One was of the Tulsi sisters standing in a straight line and scowling; the others were of the entire Tulsi family, of Hanuman House, of Pundit Tulsi, of Pundit Tulsi in Hanuman House.
In the kitchen Shama was singing her doleful song and slapping dough between her palms.
Anand came upon a bundle of letters. They were all still in their envelopes. The stamps were English and bore the head of George V. From one envelope fell small brown photographs of an English girl, a dog, a house with a faded X on a window; in another envelope there was a newspaper clipping with one name underlined in ink in a long paragraph of names. The letters were neatly written and said little at great length. They spoke about letters received, about school, about holidays; they thanked for photographs. Abruptly they were touched with feeling; they expressed surprise that arrangements for marriage had been made so soon; they attempted to soften surprise with congratulation. Then there were no more letters.
Anand closed the drawer and went to the drawingroom. He rested his elbows on the window-sill and looked out. The sun had just set and the bush was turning black against a sky that was still clear. Smoke came through the kitchen door and window and Anand listened to Shama singing.