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"Sunday morning?" I asked hopefully.

"Saturday."

"Very well. See you then. Sleep well."

"Not too likely, Mary. Good night."

* * *

I read the manuscript through quickly, then took myself off for a long, hot, mindless bath. The second time, I made notes for improving it, the secretarial and editorial review. The third time, I went very slowly, reading parts of it aloud, flipping back to compare passages, treating it like any other piece of textual analysis. At the end of it, I turned off the lights and sat passively, wishing vaguely that I smoked a pipe or played the violin or something, and then went to bed.

And in the night, I dreamt, a sly and insidious dream full of grey shapes and vague threats, a London fog of a dream that finally gave way to clarity. I dreamt I was lying in a place and manner that had once been very familiar: on my back, my hands folded across my stomach, looking up at the decorative plaster trim on the pale yellow ceiling of the psychiatrist's office. One of the twining roses that went to make up the border had been picked out in a pale pink, though whether it represented a moment of whimsey on Dr Ginzberg's part or her painstaking attention to the details of her profession, I could never decide. As it was directly in line with the gaze of any occupant of her analyst's couch, I suspected the latter, but I liked to think it was both, and so I never asked.

In the dream, I was suspended by the familiar languor of the hypnotic trance she had used as a therapeutic tool, like a vise that clamped me to the padded leather while she chipped delicately away at my mind, peeling off the obscuring layers of traumas old and new. They all felt very old, though most of them were recently acquired, and I had always felt raw and without defence when I left her office, like some newborn marsupial blindly mewling its way towards an unknown pocket of safety. I had been taken from her before I had a chance to reach it. I was fourteen years old.

My voice was droning on in answer to a question concerning my paternal grandmother, a woman about whom I had thought I knew little. Nonetheless, the words were spilling out, giving such detail of fact and impression as to sound almost clairvoyant, and I was aware of the onlooker within, who, when I came up from the trance, would be faintly surprised and amused at the wealth of information that had lain hidden. I do not remember what Dr Ginzberg's question was— there was a vague flavour of an adolescent's concept of Paris in the nineties, the cancan and sidewalk bistros and the Seine running at the foot of Notre Dame, so I suppose it must have been to do with the early years of my parents' marriage— but it hardly mattered. I was quite content to chunter on in any topic she might choose— almost any topic.

And then she laughed. Dr Ginzberg. During a session.

It is difficult to describe just how shocking this was, even doubly wrapped as I was in the dream and the dreamy world of trance, but my sense of rightness could not have been more offended had she suddenly squatted down and urinated on the Persian carpet. Her kind of psychotherapist simply did not react— outside of her rooms, yes, when she was another person, but Dr Ginzberg in the silent room with the yellow walls and the pink rose and the leather sofa? Impossible. Even more astounding had been the laugh itself. Dr Ginzberg's laugh (and outside the yellow room, she did laugh) was a quiet, throaty chuckle. This had been a sharp barking sound, a cough of humour from an older woman, and it cut off my flow of words like an axe blade.

I lay, paralysed by the wrongness of the laugh and the remnants of trance, and waited for her inevitable response to an unjustified pause, that encouraging "Yes?" with its echo of the Germanic ja. It did not come.

I became aware, with that logic of dreams, that I was younger than I had thought, that my feet were imprisoned in the heavy corrective buttoned shoes I had worn until I was six, and that the shoes came nowhere near the