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A Little Tour In France [58]

By Root 1387 0
and wandered about in the stillness of summer nights. The figure of the elder town, at these hours, must be ghostly enough on its neighboring hill. Even by day it has the air of a vignette of Gustave Dore, a couplet of Victor Hugo. It is almost too perfect, - as if it were an enormous model, placed on a big green table at a museum. A steep, paved way, grass-grown like all roads where vehicles never pass, stretches up to it in the sun. It has a double enceinte, complete outer walls and complete inner (these, elaborately forti- fied, are the more curious); and this congregation of ramparts, towers, bastions, battlements, barbicans, is as fantastic and romantic as you please. The approach I mention here leads to the gate that looks toward Toulouse, - the Porte de l'Aude. There is a second, on the other side, called, I believe, the Porte Nar- bonnaise, a magnificent gate, flanked with towers thick and tall, defended by elaborate outworks; and these two apertures alone admit you to the place, - putting aside a small sally-port, protected by a great bastion, on the quarter that looks toward the Pyrenees.

As a votary, always, in the first instance, of a general impression, I walked all round the outer en- ceinte, - a process on the very face of it entertaining. I took to the right of the Porte de l'Aude, without entering it, where the old moat has been filled in. The filling-in of the moat has created a grassy level at the foot of the big gray towers, which, rising at frequent intervals, stretch their stiff curtain of stone from point to point. The curtain drops without a fold upon the quiet grass, which was dotted here and there with a humble native, dozing away the golden afternoon. The natives of the elder Carcassonne are all humble; for the core of the Cite has shrunken and decayed, and there is little life among the ruins. A few tenacious laborers, who work in the neighboring fields or in the _ville-basse_, and sundry octogenarians of both sexes, who are dying where they have lived, and contribute much to the pictorial effect, - these are the principal inhabitants. The process of con- verting the place from an irresponsible old town into a conscious "specimen" has of course been attended with eliminations; the population has, as a general thing, been restored away. I should lose no time in saying that restoration is the great mark of the Cite. M. Viollet-le-Duc has worked his will upon it, put it into perfect order, revived the fortifications in every detail. I do not pretend to judge the performance, carried out on a scale and in a spirit which really impose themselves on the imagination. Few archi- tects have had such a chance, and M. Viollet-le-Duc must have been the envy of the whole restoring fra- ternity. The image of a more crumbling Carcassonne rises in the mind, and there is no doubt that forty years ago the place was more affecting. On the other hand, as we see it to-day, it is a wonderful evocation; and if there is a great deal of new in the old, there is plenty of old in the new. The repaired crenella- tions, the inserted patches, of the walls of the outer circle sufficiently express this commixture. My walk brought me into full view of the Pyrenees, which, now that the sun had begun to sink and the shadows to grow long, had a wonderful violet glow. The platform at the base of the walls has a greater width on this side, and it made the scene more complete. Two or three old crones had crawled out of the Porte Nar- bonnaise, to examine the advancing visitor; and a very ancient peasant, lying there with his back against a tower, was tending half a dozen lean sheep. A poor man in a very old blouse, crippled and with crutches lying beside him, had been brought out and placed on a stool, where he enjoyed the afternoon as best he might. He looked so ill and so patient that I spoke to him; found that his legs were paralyzed and he was quite helpless. He had formerly been seven years in the army, and had made the campaign of Mexico with Bazaine. Born in the old Cite, he had come back there to
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