A Little Tour In France [86]
Italian custom-house was to be the sign of my triumph), that I scarcely took time to make it clear to myself at Avignon that this was better than reading the "Figaro." I hurried on almost too fast to enjoy the consciousness of moving southward. On this last occasion I was un- fortunately destitute of that happy faith. Avignon was my southernmost limit; after which I was to turn round and proceed back to England. But in the interval I had been a great deal in Italy, and that made all the difference.
I had plenty of time to think of this, for the rain kept me practically housed for the first twenty-four hours. It had been raining in, these regions for a month, and people had begun to look askance at the Rhone, though as yet the volume of the river was not exorbitant. The only excursion possible, while the torrent descended, was a kind of horizontal dive, ac- companied with infinite splashing, to the little _musee_ of the town, which is within a moderate walk of the hotel. I had a memory of it from my first visit; it had appeared to me more pictorial than its pictures. I found that recollection had flattered it a little, and that it is neither better nor worse than most provincial museums. It has the usual musty chill in the air, the usual grass-grown fore-court, in which a few lumpish Roman fragments are disposed, the usual red tiles on the floor, and the usual specimens of the more livid schools on the walls. I rang up the _gardien_, who ar- rived with a bunch of keys, wiping his mouth; he un- locked doors for me, opened shutters, and while (to my distress, as if the things had been worth lingering over) he shuffled about after me, he announced the names of the pictures before which I stopped, in a voice that reverberated through the melancholy halls, and seemed to make the authorship shameful when it was obscure, and grotesque when it pretended to be great. Then there were intervals of silence, while I stared absent-mindedly, at hap-hazard, at some indis- tinguishable canvas, and the only sound was the down- pour of the rain on the skylights. The museum of Avignon derives a certain dignity from its Roman frag- ments. The town has no Roman monuments to show; in this respect, beside its brilliant neighbors, Arles and Nimes, it is a blank. But a great many small objects have been found in its soil, - pottery, glass, bronzes, lamps, vessels and ornaments of gold and silver. The glass is especially chaming, - small vessels of the most delicate shape and substance, many of them perfectly preserved. These diminutive, intimate things bring one near to the old Roman life; they seem like pearls strung upon the slender thread that swings across the gulf of time. A little glass cup that Roman lips have touched says more to us than the great vessel of an arena. There are two small silver _casseroles_, with chi- selled handles, in the museum of Avignon, that struck me as among the most charming survivals of anti- quity.
I did wrong just above, to speak of my attack on this establishment as the only recreation I took that first wet day; for I remember a terribly moist visit to the former palace of the Popes, which could have taken place only in the same tempestuous hours. It is true that I scarcely know why I should have gone out to see the Papal palace in the rain, for I had been over it twice before, and even then had not found the interest of the place so complete as it ought to be; the fact, nevertheless, remains that this last occasion is much associated with an umbrella, which was not superfluous even in some of the chambers and cor- ridors of the gigantic pile. It had already seemed to me the dreariest of all historical buildings, and my final visit confirmed the impression. The place is as intricate as it is vast, and as desolate as it is dirty. The imagination has, for some reason or other, to make more than the effort usual in such cases to re- store and repeople it. The fact, indeed, is simply that the palace has been so incalculably abused and altered. The alterations have been so numerous that, though
I had plenty of time to think of this, for the rain kept me practically housed for the first twenty-four hours. It had been raining in, these regions for a month, and people had begun to look askance at the Rhone, though as yet the volume of the river was not exorbitant. The only excursion possible, while the torrent descended, was a kind of horizontal dive, ac- companied with infinite splashing, to the little _musee_ of the town, which is within a moderate walk of the hotel. I had a memory of it from my first visit; it had appeared to me more pictorial than its pictures. I found that recollection had flattered it a little, and that it is neither better nor worse than most provincial museums. It has the usual musty chill in the air, the usual grass-grown fore-court, in which a few lumpish Roman fragments are disposed, the usual red tiles on the floor, and the usual specimens of the more livid schools on the walls. I rang up the _gardien_, who ar- rived with a bunch of keys, wiping his mouth; he un- locked doors for me, opened shutters, and while (to my distress, as if the things had been worth lingering over) he shuffled about after me, he announced the names of the pictures before which I stopped, in a voice that reverberated through the melancholy halls, and seemed to make the authorship shameful when it was obscure, and grotesque when it pretended to be great. Then there were intervals of silence, while I stared absent-mindedly, at hap-hazard, at some indis- tinguishable canvas, and the only sound was the down- pour of the rain on the skylights. The museum of Avignon derives a certain dignity from its Roman frag- ments. The town has no Roman monuments to show; in this respect, beside its brilliant neighbors, Arles and Nimes, it is a blank. But a great many small objects have been found in its soil, - pottery, glass, bronzes, lamps, vessels and ornaments of gold and silver. The glass is especially chaming, - small vessels of the most delicate shape and substance, many of them perfectly preserved. These diminutive, intimate things bring one near to the old Roman life; they seem like pearls strung upon the slender thread that swings across the gulf of time. A little glass cup that Roman lips have touched says more to us than the great vessel of an arena. There are two small silver _casseroles_, with chi- selled handles, in the museum of Avignon, that struck me as among the most charming survivals of anti- quity.
I did wrong just above, to speak of my attack on this establishment as the only recreation I took that first wet day; for I remember a terribly moist visit to the former palace of the Popes, which could have taken place only in the same tempestuous hours. It is true that I scarcely know why I should have gone out to see the Papal palace in the rain, for I had been over it twice before, and even then had not found the interest of the place so complete as it ought to be; the fact, nevertheless, remains that this last occasion is much associated with an umbrella, which was not superfluous even in some of the chambers and cor- ridors of the gigantic pile. It had already seemed to me the dreariest of all historical buildings, and my final visit confirmed the impression. The place is as intricate as it is vast, and as desolate as it is dirty. The imagination has, for some reason or other, to make more than the effort usual in such cases to re- store and repeople it. The fact, indeed, is simply that the palace has been so incalculably abused and altered. The alterations have been so numerous that, though