A Man Without a Country - Kurt Vonnegut [11]
Then I go outside and there is a mailbox. And I feed the pages to the giant blue bullfrog. And it says, “Ribbit.”
And I go home. And I have had one hell of a good time.
Electronic communities build nothing. You wind up with nothing. We are dancing animals. How beautiful it is to get up and go out and do something. We are here on Earth to fart around. Don’t let anybody tell you any different.
7
I turned eighty-two on November 11, 2004. What’s it like to be this old? I can’t parallel park worth a damn anymore, so please don’t watch while I try to do it. And gravity has become a lot less friendly and manageable than it used to be.
When you get to my age, if you get to my age, and if you have reproduced, you will find yourself asking your own children, who are themselves middle-aged, “What is life all about?” I have seven kids, three of them orphaned nephews.
I put my big question about life to my son the pediatrician. Dr. Vonnegut said this to his doddering old dad: “Father, we are here to help each other get through this thing, whatever it is.”
No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will still be wonderful.
If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC
Now, during our catastrophically idiotic war in Vietnam, the music kept getting better and better and better. We lost that war, by the way. Order couldn’t be restored in Indochina until the people kicked us out.
That war only made billionaires out of millionaires. Today’s war is making trillionaires out of billionaires. Now I call that progress.
And how come the people in countries we invade can’t fight like ladies and gentlemen, in uniform and with tanks and helicopter gunships?
Back to music. It makes practically everybody fonder of life than he or she would be without it. Even military bands, although I am a pacifist, always cheer me up. And I really like Strauss and Mozart and all that, but the priceless gift that African Americans gave the whole world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today—jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock-and-roll, hip-hop, and on and on—is derived from the blues.
A gift to the world? One of the best rhythm-and-blues combos I ever heard was three guys and a girl from Finland playing in a club in Krakow, Poland.
The wonderful writer Albert Murray, who is a jazz historian and a friend of mine among other things, told me that during the era of slavery in this country—an atrocity from which we can never fully recover—the suicide rate per capita among slave owners was much higher than the suicide rate among slaves.
Murray says he thinks this was because slaves had a way of dealing with depression, which their white owners did not: They could shoo away Old Man Suicide by playing and singing the Blues. He says something else which also sounds right to me. He says the blues can’t drive depression clear out of a house, but can drive it into the corners of any room