A Map of Glass - Jane Urquhart [71]
“The girl from Orphan Island,” Mackenzie would say, and Annabelle’s mother would reply, “Oh yes, of course,” then move vaguely around the kitchen touching a pewter jug, an earthenware bowl, as if she hoped that something in the kitchenware’s insistence on being solid might pull her back from the lost green landscapes of the past and into the overheated interiors of the present.
On one of these days, shortly after Mrs. Woodman had floated out of the kitchen to wander aimlessly through the other rooms of the house, Marie was commanded by Mackenzie to once again scrub the floor while the cook went to fetch a brisket of beef at the island’s butcher shop. What a thin back she has, thought Annabelle, looking at the nearby labouring figure. Her clothing, which was not finely tailored as Annabelle’s, fell away from her spine toward the floor and appeared to be much too big for her frame. She watched the girl’s muscles move under her cotton clothing and, as she was watching, one arm shot out from the body and shoved a familiar piece of butcher’s paper under the door. Annabelle stooped to retrieve it and, in the gloom, read her own message. Then she turned the paper over in her hands and was confronted with a one-word message: No.
It wasn’t as if Annabelle was unaccustomed to this word: her father often shouted it across the shipyards, or yelled it in the direction of Branwell and her when they were making demands. It wasn’t that she hadn’t seen it scrawled in two large characters across various letters of request on her father’s desk. But to have the negative emerge from such a small, such a powerless source shocked her deeply and hurt her in a way she hadn’t been hurt before. What could it mean, this refusal, this annulment?
Annabelle crumpled the paper in her fist, then walked into the parlour where she stood looking out the window at late-spring snow falling on vessels that had remained useless and dry-docked all winter long. In the corner of the room the recently fed Quebec stove roared as it devoured wood. Overhead she heard Branwell’s quick steps progressing along the floorboards of the upper hall toward the back stairs, along with the clicking sounds made by the dog’s nails. Soon, from the direction of the kitchen, Annabelle could make out the sound of Branwell’s voice demanding that Skipper perform the one trick he had managed to teach him. “Roll over,” he said and, shortly after, and much to her chagrin, she heard Marie’s laughter followed by some light scolding about dog hair on the floor, and then the sound of Branwell and the dog beating a hasty retreat when Mackenzie must have been coming up the walk.
Nothing was ever going to happen to her, Annabelle suddenly knew. Plenty was going to happen to Branwell, she suspected. A great deal had undoubtedly already happened to the rejecting Marie, but she, Annabelle, was never going to be granted access to that intriguing history. She felt as if she were now and would be forever outside of everything, forced to dwell in the shadows, witnessing only a fraction of