A Mountain Woman [49]
have no heart fur it now. I feel as if I'd be safer in th' gulch."
"Safer?"
"The world looks pretty big. It's safe and close in th' gulch."
At the station the major went to look after the trunks, and Roeder put Kate in her seat.
"I wanted t' give you something " he said, seating himself beside her, "but I didn't dare."
"Oh, my dear friend," she cried, laying her little gloved hand on his red and knotted one, "don't go back into the shadow. Do not return to that terrible silence. Wait. Have patience. Fate has brought you wealth. It will bring you love."
"I've somethin' to ask," he said, paying no attention to her appeal. "You must answer it. If we 'a' met long ago, an' you hadn't a husband or -- anythin' -- do you think you'd've loved me then?"
She felt herself turning white.
"No," she said softly. "I could never have loved you, my dear friend. We are not the same. Believe me, there is a woman somewhere who will love you; but I am not that woman -- nor could I have ever been."
The train was starting. The major came bustling in.
"Well, good-by," said Roeder, holding out his hand to Kate.
"Good-by," she cried. "Don't go back up the gulch."
"Oh," he said, reassuringly, "don't you worry about me, my -- don't worry. The gulch is a nice, quiet place. An' you know what I told you about th' ranks all bein' full. Good-by." The train was well under way. He sprang off, and stood on the platform waving his handkerchief.
"Well, Kate," said the major, seating himself down comfortably and adjusting his travelling cap, "did you find the Western type?"
"I don't quite know," said she, slowly. "But I have made the discovery that a human soul is much the same wherever you meet it."
"Dear me! You haven't been meeting a soul, have you?" the major said, face- tiously, unbuckling his travelling-bag. "I'll tell Jack."
"No, I'll tell Jack. And he'll feel quite as badly as I do to think that I could do nothing for its proper adjustment."
The major's face took on a look of com- prehension.
"Was that the soul," he asked, "that just came down in the carriage with us?"
"That was it," assented Kate. "It was born; it has had its mortal day; and it has gone back up the gulch."
A Michigan Man
A PINE forest is nature's expression of solemnity and solitude. Sunlight, rivers, cascades, people, music, laughter, or dancing could not make it gay. With its unceasing reverberations and its eternal shadows, it is as awful and as holy as a cathedral.
Thirty good fellows working together by day and drinking together by night can keep up but a moody imitation of jollity. Spend twenty-five of your forty years, as Luther Dallas did, in this perennial gloom, and your soul -- that which enjoys, aspires, competes -- will be drugged as deep as if you had quaffed the cup of oblivion. Luther Dallas was counted one of the most experienced axe-men in the northern camps. He could fell a tree with the swift surety of an executioner, and in revenge for his many arboral murders the woodland had taken captive his mind, captured and chained it as Prospero did Ariel. The resounding footsteps of Progress driven on so merci- lessly in this mad age could not reach his fastness. It did not concern him that men were thinking, investigating, inventing. His senses responded only to the sonorous music of the woods; a steadfast wind ring- ing metallic melody from the pine-tops con- tented him as the sound of the sea does the sailor; and dear as the odors of the ocean to the mariner were the resinous scents of the forest to him. Like a sailor, too, he had his superstitions. He had a presentiment that he was to die by one of these trees, -- that some day, in chopping, the tree would fall upon and crush him as it did his father the day they brought him back to the camp on a litter of pine boughs.
One day the gang-boss noticed a tree that Dallas had left standing in a most unwood- manlike manner in the section which was allotted to him.
"What in thunder is that standing there for?" he asked.
Dallas raised
"Safer?"
"The world looks pretty big. It's safe and close in th' gulch."
At the station the major went to look after the trunks, and Roeder put Kate in her seat.
"I wanted t' give you something " he said, seating himself beside her, "but I didn't dare."
"Oh, my dear friend," she cried, laying her little gloved hand on his red and knotted one, "don't go back into the shadow. Do not return to that terrible silence. Wait. Have patience. Fate has brought you wealth. It will bring you love."
"I've somethin' to ask," he said, paying no attention to her appeal. "You must answer it. If we 'a' met long ago, an' you hadn't a husband or -- anythin' -- do you think you'd've loved me then?"
She felt herself turning white.
"No," she said softly. "I could never have loved you, my dear friend. We are not the same. Believe me, there is a woman somewhere who will love you; but I am not that woman -- nor could I have ever been."
The train was starting. The major came bustling in.
"Well, good-by," said Roeder, holding out his hand to Kate.
"Good-by," she cried. "Don't go back up the gulch."
"Oh," he said, reassuringly, "don't you worry about me, my -- don't worry. The gulch is a nice, quiet place. An' you know what I told you about th' ranks all bein' full. Good-by." The train was well under way. He sprang off, and stood on the platform waving his handkerchief.
"Well, Kate," said the major, seating himself down comfortably and adjusting his travelling cap, "did you find the Western type?"
"I don't quite know," said she, slowly. "But I have made the discovery that a human soul is much the same wherever you meet it."
"Dear me! You haven't been meeting a soul, have you?" the major said, face- tiously, unbuckling his travelling-bag. "I'll tell Jack."
"No, I'll tell Jack. And he'll feel quite as badly as I do to think that I could do nothing for its proper adjustment."
The major's face took on a look of com- prehension.
"Was that the soul," he asked, "that just came down in the carriage with us?"
"That was it," assented Kate. "It was born; it has had its mortal day; and it has gone back up the gulch."
A Michigan Man
A PINE forest is nature's expression of solemnity and solitude. Sunlight, rivers, cascades, people, music, laughter, or dancing could not make it gay. With its unceasing reverberations and its eternal shadows, it is as awful and as holy as a cathedral.
Thirty good fellows working together by day and drinking together by night can keep up but a moody imitation of jollity. Spend twenty-five of your forty years, as Luther Dallas did, in this perennial gloom, and your soul -- that which enjoys, aspires, competes -- will be drugged as deep as if you had quaffed the cup of oblivion. Luther Dallas was counted one of the most experienced axe-men in the northern camps. He could fell a tree with the swift surety of an executioner, and in revenge for his many arboral murders the woodland had taken captive his mind, captured and chained it as Prospero did Ariel. The resounding footsteps of Progress driven on so merci- lessly in this mad age could not reach his fastness. It did not concern him that men were thinking, investigating, inventing. His senses responded only to the sonorous music of the woods; a steadfast wind ring- ing metallic melody from the pine-tops con- tented him as the sound of the sea does the sailor; and dear as the odors of the ocean to the mariner were the resinous scents of the forest to him. Like a sailor, too, he had his superstitions. He had a presentiment that he was to die by one of these trees, -- that some day, in chopping, the tree would fall upon and crush him as it did his father the day they brought him back to the camp on a litter of pine boughs.
One day the gang-boss noticed a tree that Dallas had left standing in a most unwood- manlike manner in the section which was allotted to him.
"What in thunder is that standing there for?" he asked.
Dallas raised