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A New England Girlhood [9]

By Root 1116 0
afraid herself, the baby--I like to fancy I was that baby--seemed to enjoy it, and played gleefully with the old man's flowing gray locks.

Good Larkin Moore was well known through the two neighboring counties, Essex and Middlesex. We saw him afterward on the banks of the Merrimack. He always wore a loose calico tunic over his trousers; and, when the mood came upon him, he started off with two canes,--seeming to think he could travel faster as a quadruped than as a biped. He was entirely harmless; his only wish was to preach or to sing.

A characteristic anecdote used to be told of him: that once, as a stage-coach containing, only a few passengers passed him on the road, he asked the favor of a seat on the top, and was refused. There were many miles between him and his destination. But he did not upbraid the ungracious driver; he only swung his two canes a little more briskly, and kept breast of the horses all the way, entering the town side by side with the inhospitable vehicles--a running reproach to the churl on the box.

There was another wanderer, a blind woman, whom my mother treated with great respect on her annual pilgrimages. She brought with her some printed rhymes to sell, purporting to be composed by herself, and beginning with the verse:--

"I, Nancy Welsh, was born and bred In Essex County, Marblehead. And when I was an infant quite The Lord deprived me of my sight."

I labored under the delusion that blindness was a sort of insanity, and I used to run away when this pilgrim came, for she was not talkative like Larkin Moore. I fancied she disliked children, and so I shrank from her.

There were other odd estrays going about, who were either well known, or could account for them selves. The one human phenomenon that filled us little ones with mortal terror was an unknown "man with a pack on his back." I do not know what we thought he would do with us, but the sight of one always sent us breathless with fright to the shelter of the maternal wing. I did not at all like the picture of Christian on his way to the wicket-gate, in "Pilgrim's Progress," before I had read the book, because he had "a pack on his back." But there was really nothing to be afraid of in those simple, honest old times. I suppose we children would not have known how happy and safe we were, in our secluded lane, if we had not conjured up a few imaginary fears.

Long as it is since the rural features of our lane were entirely obliterated, my feet often go back and press, in memory, its grass-grown borders, and in delight and liberty I am a child again. Its narrow limits were once my whole known world. Even then it seemed to me as if it might lead everywhere; and it was indeed but the beginning of a road which must lengthen and widen beneath my feet forever.

II.

SCHOOLROOM AND MEETING-HOUSE.

THERE were only two or three houses between ours and the main street, and then our lane came out directly opposite the finest house in town, a three-story edifice of brick, painted white, the "Colonel's" residence. There was a spacious garden behind it, from which we caught glimpses and perfumes of unknown flowers. Over its high walls hung boughs of splendid great yellow sweet apples, which, when they fell on the outside, we children considered as our perquisites. When I first read about the apples of the Hesperides, my idea of them was that they were like the Colonel's "pumpkin-sweetings."

Beyond the garden were wide green fields which reached eastward down to the beach. It was one of those large old estates which used to give to the very heart of our New England coast towns a delightful breeziness and roominess.

A coach-and-pair was one of the appurtenances of this estate, with a coachman on the box; and when he took the family out for an airing we small children thought it was a sort of Cinderella spectacle, prepared expressly for us.

It was not, however, quite so interesting as the Boston stage - coach, that rolled regularly every day past the head of our lane into and out of its headquarters, a big, unpainted stable close
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