A Portrait of the Artist as a Young Man and Dubliners - James Joyce [184]
—And who is the Cometty pray?
But she knew that it would not be ladylike to do that: so she was silent.
Little boys were sent out into the principal streets of Dublin early on Friday morning with bundles of handbills. Special puffs appeared in all the evening papers, reminding the music-loving public of the treat which was in store for it on the following evening. Mrs Kearney was somewhat reassured, but she thought well to tell her husband part of her suspicions. He listened carefully and said that perhaps it would be better if he went with her on Saturday night. She agreed. She respected her husband in the same way as she respected the General Post Office,abk as something large, secure and fixed; and though she knew the small number of his talents she appreciated his abstract value as a male. She was glad that he had suggested coming with her. She thought her plans over.
The night of the grand concert came. Mrs Kearney, with her husband and daughter, arrived at the Antient Concert Rooms three-quarters of an hour before the time at which the concert was to begin. By ill luck it was a rainy evening. Mrs Kearney placed her daughter’s clothes and music in charge of her husband and went all over the building looking for Mr Holohan or Mr Fitzpatrick. She could find neither. She asked the stewards was any member of the committee in the hail and, after a great deal of trouble, a steward brought out a little woman named Miss Beirne to whom Mrs Kcarney explained that she wanted to see one of the secretaries. Miss Beirne expected them any minute and asked could she do anything. Mrs Kearney looked searchingly at the oldish face which was screwed into an expression of trustfulness and enthusiasm and answered:
—No, thank you!
The little woman hoped they would have a good house. She looked out at the rain until the melancholy of the wet Street effaced all the trustfulness and enthusiasm from her twisted features. Then she gave a little sigh and said:
—Ah, well! We did our best, the dearabl knows.
Mrs Kearney had to go back to the dressing-room.
The artistes were arriving. The bass and the second tenor had already come. The bass, Mr Duggan, was a slender young man with a scattered black moustache. He was the son of a hail porter in an office in the city and, as a boy, he had sung prolonged bass notes in the resounding hail. From this humble state he had raised himself until he had become a first-rate artiste. He had appeared in grand opera. One night, when an operatic artiste had fallen ill, he had undertaken the part of the king in the opera of Maritanaabm at the Queen’s Theatre.abn He sang his music with great feeling and volume and was warmly welcomed by the gallery; but, unfortunately, he marred the good impression by wiping his nose in his gloved hand once or twice out of thoughtlessness. He was unassuming and spoke little. He said yous so softly that it passed unnoticed and he never drank anything stronger than milk for his voice’s sake. Mr Bell, the second tenor, was a fair-haired little man who competed every year for prizes at the Fcis Ceoil.abo On his fourth trial he had been awarded a bronze medal. He was extremely nervous and extremely jealous of other tenors and he covered his nervous jealousy with an ebullient friendliness. It was his humour to have people know what an ordeal a concert was to him. Therefore when he saw Mr Duggan he went over to him and asked:
—Are you in it too?
—Yes, said Mr Duggan.
Mr Bell laughed at his fellow-sufferer, held out his hand and said:
—Shake!
Mrs Kearney passed by these two young men and went to the edge of the screen to view the house. The seats were being filled up rapidly and a pleasant noise circulated in the auditorium. She came back and spoke to her husband privately. Their conversation was evidently about Kathleen for they both glanced at her often as she stood chatting to one of her Nationalist friends, Miss Healy, the contralto. An unknown