A Prince of Bohemia [13]
for his ferocious industry. Nobody suspects the source to which Paris owes the patch-and-powder eighteenth century vaudevilles that flooded the stage. Those thousand-and-one vaudevilles, which raised such an outcry among the /feuilletonistes/, were written at Mme. du Bruel's express desire. She insisted that her husband should purchase the hotel on which she had spent so much, where she had housed five hundred thousand francs' worth of furniture. Wherefore Tullia never enters into explanations; she understands the sovereign woman's reason to admiration.
" 'People made a good deal of fun of Cursy,' said she; 'but, as a matter of fact, he found this house in the eighteenth century rouge- box, powder, puffs, and spangles. He would never have thought of it but for me,' she added, burying herself in the cushions in her fireside corner.
"She delivered herself thus on her return from a first night. Du Bruel's piece had succeeded, and she foresaw an avalanche of criticisms. Tullia had her At Homes. Every Monday she gave a tea- party; her society was as select as might be, and she neglected nothing that could make her house pleasant. There was a bouillotte in one room, conversation in another, and sometimes a concert (always short) in the large drawing-room. None but the most eminent artists performed in the house. Tullia had so much good sense, that she attained to the most exquisite tact, and herein, in all probability, lay the secret of her ascendency over du Bruel; at any rate, he loved her with the love which use and wont at length makes indispensable to life. Every day adds another thread to the strong, irresistible, intangible web, which enmeshes the most delicate fancies, takes captive every most transient mood, and binding them together, holds a man captive hand and foot, heart and head.
"Tullia knew Cursy well; she knew every weak point in his armor, knew also how to heal his wounds.
"A passion of this kind is inscrutable for any observer, even for a man who prides himself, as I do, on a certain expertness. It is everywhere unfathomable; the dark depths in it are darker than in any other mystery; the colors confused even in the highest lights.
"Cursy was an old playwright, jaded by the life of the theatrical world. He liked comfort; he liked a luxurious, affluent, easy existence; he enjoyed being a king in his own house; he liked to be host to a party of men of letters in a hotel resplendent with royal luxury, with carefully chosen works of art shining in the setting. Tullia allowed du Bruel to enthrone himself amid the tribe; there were plenty of journalists whom it was easy enough to catch and ensnare; and, thanks to her evening parties and a well-timed loan here and there, Cursy was not attacked too seriously--his plays succeeded. For these reasons he would not have separated from Tullia for an empire. If she had been unfaithful, he would probably have passed it over, on condition that none of his accustomed joys should be retrenched; yet, strange to say, Tullia caused him no twinges on this account. No fancy was laid to her charge; if there had been any, she certainly had been very careful of appearances.
" 'My dear fellow,' du Bruel would say, laying down the law to us on the boulevard, 'there is nothing like one of these women who have sown their wild oats and got over their passions. Such women as Claudine have lived their bachelor life; they have been over head and ears in pleasure, and make the most adorable wives that could be wished; they have nothing to learn, they are formed, they are not in the least prudish; they are well broken in, and indulgent. So I strongly recommend everybody to take the "remains of a racer." I am the most fortunate man on earth.'
"Du Bruel said this to me himself with Bixiou there to hear it.
" 'My dear fellow,' said the caricaturist, 'perhaps he is right to be in the wrong.'
"About a week afterwards, du Bruel asked us to dine with him one Tuesday. That morning I went to see him on a piece of theatrical business, a case submitted to us for arbitration by the
" 'People made a good deal of fun of Cursy,' said she; 'but, as a matter of fact, he found this house in the eighteenth century rouge- box, powder, puffs, and spangles. He would never have thought of it but for me,' she added, burying herself in the cushions in her fireside corner.
"She delivered herself thus on her return from a first night. Du Bruel's piece had succeeded, and she foresaw an avalanche of criticisms. Tullia had her At Homes. Every Monday she gave a tea- party; her society was as select as might be, and she neglected nothing that could make her house pleasant. There was a bouillotte in one room, conversation in another, and sometimes a concert (always short) in the large drawing-room. None but the most eminent artists performed in the house. Tullia had so much good sense, that she attained to the most exquisite tact, and herein, in all probability, lay the secret of her ascendency over du Bruel; at any rate, he loved her with the love which use and wont at length makes indispensable to life. Every day adds another thread to the strong, irresistible, intangible web, which enmeshes the most delicate fancies, takes captive every most transient mood, and binding them together, holds a man captive hand and foot, heart and head.
"Tullia knew Cursy well; she knew every weak point in his armor, knew also how to heal his wounds.
"A passion of this kind is inscrutable for any observer, even for a man who prides himself, as I do, on a certain expertness. It is everywhere unfathomable; the dark depths in it are darker than in any other mystery; the colors confused even in the highest lights.
"Cursy was an old playwright, jaded by the life of the theatrical world. He liked comfort; he liked a luxurious, affluent, easy existence; he enjoyed being a king in his own house; he liked to be host to a party of men of letters in a hotel resplendent with royal luxury, with carefully chosen works of art shining in the setting. Tullia allowed du Bruel to enthrone himself amid the tribe; there were plenty of journalists whom it was easy enough to catch and ensnare; and, thanks to her evening parties and a well-timed loan here and there, Cursy was not attacked too seriously--his plays succeeded. For these reasons he would not have separated from Tullia for an empire. If she had been unfaithful, he would probably have passed it over, on condition that none of his accustomed joys should be retrenched; yet, strange to say, Tullia caused him no twinges on this account. No fancy was laid to her charge; if there had been any, she certainly had been very careful of appearances.
" 'My dear fellow,' du Bruel would say, laying down the law to us on the boulevard, 'there is nothing like one of these women who have sown their wild oats and got over their passions. Such women as Claudine have lived their bachelor life; they have been over head and ears in pleasure, and make the most adorable wives that could be wished; they have nothing to learn, they are formed, they are not in the least prudish; they are well broken in, and indulgent. So I strongly recommend everybody to take the "remains of a racer." I am the most fortunate man on earth.'
"Du Bruel said this to me himself with Bixiou there to hear it.
" 'My dear fellow,' said the caricaturist, 'perhaps he is right to be in the wrong.'
"About a week afterwards, du Bruel asked us to dine with him one Tuesday. That morning I went to see him on a piece of theatrical business, a case submitted to us for arbitration by the