A Prince of Bohemia [9]
radiant Charles Edward, and my brain turns. I shall go mad, I know I shall. Do not laugh, do not talk to me of the fickleness of women. If we are inconstant, /you/ are strangely capricious. You take away the hours of love that made a poor creature's happiness for ten whole days; the hours on which she drew to be charming and kind to all that came to see her! After all, you were the source of my kindness to /him/; you do not know what pain you give him. I wonder what I must do to keep you, or simply to keep the right to be yours sometimes. . . . When I think that you never would come here to me! . . . With what delicious emotion I would wait upon you!--There are other women more favored than I. There are women to whom you say, 'I love you.' To me you have never said more than 'You are a good girl.' Certain speeches of yours, though you do not know it, gnaw at my heart. Clever men sometimes ask me what I am thinking. . . . I am thinking of my self-abasement--the prostration of the poorest outcast in the presence of the Saviour.
"There are still three more pages, you see. La Palferine allowed me to take the letter, with the traces of tears that still seemed hot upon it! Here was proof of the truth of his story. Marcas, a shy man enough with women, was in ecstacies over a second which he read in his corner before lighting his pipe with it.
" 'Why, any woman in love will write that sort of thing!' cried La Palferine. 'Love gives all women intelligence and style, which proves that here in France style proceeds from the matter and not from the words. See now how well this is thought out, how clear-headed sentiment is'--and with that he reads us another letter, far superior to the artificial and labored productions which we novelists write.
"One day poor Claudine heard that La Palferine was in a critical position; it was a question of meeting a bill of exchange. An unlucky idea occurred to her; she put a tolerably large sum in gold into an exquisitely embroidered purse and went to him.
" 'Who has taught you as to be so bold as to meddle with my household affairs?' La Palferine cried angrily. 'Mend my socks and work slippers for me, if it amuses you. So!--you will play the duchess, and you turn the story of Danae against the aristocracy.'
"He emptied the purse into his hand as he spoke, and made as though he would fling the money in her face. Claudine, in her terror, did not guess that he was joking; she shrank back, stumbled over a chair, and fell with her head against the corner of the marble chimney-piece. She thought she should have died. When she could speak, poor woman, as she lay on the bed, all that she said was, 'I deserved it, Charles!'
"For a moment La Palferine was in despair; his anguish revived Claudine. She rejoiced in the mishap; she took advantage of her suffering to compel La Palferine to take the money and release him from an awkward position. Then followed a variation on La Fontaine's fable, in which a man blesses the thieves that brought him a sudden impulse of tenderness from his wife. And while we are upon this subject, another saying will paint the man for you.
"Claudine went home again, made up some kind of tale as best she could to account for her bruised forehead, and fell dangerously ill. An abscess formed in the head. The doctor--Bianchon, I believe--yes, it was Bianchon--wanted to cut off her hair. The Duchesse de Berri's hair is not more beautiful than Claudine's; she would not hear of it, she told Bianchon in confidence that she could not allow it to be cut without leave from the Comte de Palferine. Bianchon went to Charles Edward. Charles Edward heard him with much seriousness. The doctor had explained the case at length, and showed that it was absolutely necessary to sacrifice the hair to insure the success of the operation.
" 'Cut off Claudine's hair!' cried he in peremptory tones. 'No. I would sooner lose her.'
"Even now, after a lapse of four years, Bianchon still quotes that speech; we have laughed over it for half an hour together. Claudine,
"There are still three more pages, you see. La Palferine allowed me to take the letter, with the traces of tears that still seemed hot upon it! Here was proof of the truth of his story. Marcas, a shy man enough with women, was in ecstacies over a second which he read in his corner before lighting his pipe with it.
" 'Why, any woman in love will write that sort of thing!' cried La Palferine. 'Love gives all women intelligence and style, which proves that here in France style proceeds from the matter and not from the words. See now how well this is thought out, how clear-headed sentiment is'--and with that he reads us another letter, far superior to the artificial and labored productions which we novelists write.
"One day poor Claudine heard that La Palferine was in a critical position; it was a question of meeting a bill of exchange. An unlucky idea occurred to her; she put a tolerably large sum in gold into an exquisitely embroidered purse and went to him.
" 'Who has taught you as to be so bold as to meddle with my household affairs?' La Palferine cried angrily. 'Mend my socks and work slippers for me, if it amuses you. So!--you will play the duchess, and you turn the story of Danae against the aristocracy.'
"He emptied the purse into his hand as he spoke, and made as though he would fling the money in her face. Claudine, in her terror, did not guess that he was joking; she shrank back, stumbled over a chair, and fell with her head against the corner of the marble chimney-piece. She thought she should have died. When she could speak, poor woman, as she lay on the bed, all that she said was, 'I deserved it, Charles!'
"For a moment La Palferine was in despair; his anguish revived Claudine. She rejoiced in the mishap; she took advantage of her suffering to compel La Palferine to take the money and release him from an awkward position. Then followed a variation on La Fontaine's fable, in which a man blesses the thieves that brought him a sudden impulse of tenderness from his wife. And while we are upon this subject, another saying will paint the man for you.
"Claudine went home again, made up some kind of tale as best she could to account for her bruised forehead, and fell dangerously ill. An abscess formed in the head. The doctor--Bianchon, I believe--yes, it was Bianchon--wanted to cut off her hair. The Duchesse de Berri's hair is not more beautiful than Claudine's; she would not hear of it, she told Bianchon in confidence that she could not allow it to be cut without leave from the Comte de Palferine. Bianchon went to Charles Edward. Charles Edward heard him with much seriousness. The doctor had explained the case at length, and showed that it was absolutely necessary to sacrifice the hair to insure the success of the operation.
" 'Cut off Claudine's hair!' cried he in peremptory tones. 'No. I would sooner lose her.'
"Even now, after a lapse of four years, Bianchon still quotes that speech; we have laughed over it for half an hour together. Claudine,