A Question of Upbringing - Anthony Powell [67]
“Then he agreed?”
“He agreed that I should come again to-morrow to renew the discussion.”
“You are certainly taking a lot of trouble about them.”
“These things are worth trouble,” said Widmerpool. “You may learn that in time, Jenkins.”
I followed him up the stairs, more than a little impressed. There was something about the obstinacy with which he pursued his aims that could not be disregarded, or merely ridiculed. Even then I did not recognise the quest for power.
The consequence of Widmerpool’s efforts was to be seen a couple of nights later, when Monsieur Örn and Monsieur Lundquist sat together, after dinner, at one of the tables in the garden, finishing off between them a bottle of Cognac: after giving a glass to Madame Leroy, Madame Dubuisson, and myself, and two glasses to Monsieur Dubuisson: everyone else, for one reason or another, refusing the offer. Long after I was in bed and asleep that night, I was woken by the sound of the Scandinavians stumbling up to their room, now apparently on the best of terms. It had been a triumph of diplomacy on Widmerpool’s part. The enterprise he had shown in the matter displayed a side of his character the existence of which I had never suspected. I had to admit to myself that, in bringing Monsieur Örn and Monsieur Lundquist together again, he had achieved a feat that I should never have ventured even to attempt.
The sense of tension that had prevailed during the period of the row was now replaced by one of perhaps rather strained amiability, in which all but Monsieur Dubuisson joined. Monsieur Dubuisson accepted the brandy as the outward and visible sign of reconciliation, but he showed no vestige of surprise at the changed situation, certainly none of satisfaction. Madame Leroy was, of course, delighted; though I do not think that she ever had any idea of how concord had once more been brought about: attributing it entirely to a change of heart on the part of the couple concerned. For the rest of us, there could be no doubt of the improvement. The latter part of my stay at La Grenadière was passed, on the whole, in an atmosphere of good will on all sides: with the exception of a comparatively minor incident which involved Widmerpool only. There was undoubtedly a suggestion of nervous relaxation when Monsieur Lundquist moved, a few days later, to Bonn, where he was to continue his studies. Monsieur Örn shook him very heartily by the hand, and they agreed to meet when Monsieur Örn visited Stockholm, as he assured Monsieur Lundquist he had always intended to do sooner or later; but I do not think there was any doubt that Monsieur Örn was as heartily glad to see the Swede’s back as Monsieur Lundquist to escape from Monsieur Örn.
Curiously enough, Widmerpool, although the sole author of the reconciliation, received little or no credit for his achievement. During the few days left to them after they had made things up, Monsieur Örn and Monsieur Lundquist used sometimes to walk up and down in the garden together, when Widmerpool would occasionally try to join them; but I noticed that they would always stroll away from him, or refuse to speak English, or French, which debarred him from conversation. It was hard to say whether or not he noticed this; his last week at La Grenadière being, in any case, blighted by another matter, in its way, sufficiently provoking for him. This was the appearance on the wall of the cabinet de toilette of a crude, though not unaccomplished, representation of himself – somewhat in the style of the prehistoric drawings of the caves in the Dordogne – in this case scratched on the plaster with a sharp instrument.
Two things about this composition seemed to me certain: first, that it was intended as a portrait of Widmerpool: secondly, that the artist was French. Beyond these external facts, that seemed to admit of no critical doubt, I was completely at sea as to where responsibility might lie; nor could I be sure of the moment when the design was