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A Room with a View - E. M. Forster [58]

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the wood between Summer Street and Windy Corner ever since she could walk alone; she had played at losing Freddy in it, when Freddy was a purple- faced baby; and though she had been to Italy, it had lost none of its charm.

Presently they came to a little clearing among the pines—another tiny green alp, solitary this time, and holding in its bosom a shallow pool.

She exclaimed, “The Sacred Lake!”

“Why do you call it that?”

“I can’t remember why. I suppose it comes out of some book. It’s only a puddle now, but you see that stream going through it? Well, a good deal of water comes down after heavy rains, and can’t get away at once, and the pool becomes quite large and beautiful. Then Freddy used to bathe there. He is very fond of it.”

“And you?”

He meant, “Are you fond of it?” But she answered dreamily, “I bathed here, too, till I was found out. Then there was a row.”

At another time he might have been shocked, for he had depths of prudishness within him. But now, with his momentary cult of the fresh air, he was delighted at her admirable simplicity. He looked at her as she stood by the pool’s edge. She was got up smart, as she phrased it, and she reminded him of some brilliant flower that has no leaves of its own, but blooms abruptly out of a world of green.

“Who found you out?”

“Charlotte,” she murmured. “She was stopping with us. Charlotte—Charlotte.”

“Poor girl!”

She smiled gravely. A certain scheme, from which hitherto he had shrunk, now appeared practical.

Lucy!”

“Yes, I suppose we ought to be going,” was her reply.

“Lucy, I want to ask something of you that I have never asked before.”

At the serious note in his voice she stepped frankly and kindly towards him.

“What, Cecil?”

“Hitherto never—not even that day on the lawn when you agreed to marry me—”

He became self-conscious and kept glancing round to see if they were observed. His courage had gone.

“Yes?”

“Up to now I have never kissed you.”

She was as scarlet as if he had put the thing most indelicately.

“No—more you have,” she stammered.

“Then I ask you—may I now?”

“Of course, you may, Cecil. You might before. I can’t run at you, you know.”

At that supreme moment he was conscious of nothing but absurdities. Her reply was inadequate. She gave such a business-like lift to her veil. As he approached her he found time to wish that he could recoil. As he touched her, his gold pince-nez became dislodged and was flattened between them.

Such was the embrace. He considered, with truth, that it had been a failure. Passion should believe itself irresistible. It should forget civility and consideration and all the other curses of a refined nature. Above all, it should never ask for leave where there is a right of way. Why could he not do as any labourer or navvy—nay, as any young man behind the counter would have done? He recast the scene. Lucy was standing flower-like by the water, he rushed up and took her in his arms; she rebuked him, permitted him and revered him ever after for his manliness. For he believed that women revere men for their manliness.

They left the pool in silence, after this one salutation. He waited for her to make some remark which should show him her inmost thoughts. At last she spoke, and with fitting gravity.

“Emerson was the name, not Harris.”

“What name?”

“The old man’s.”

“What old man?”

“That old man I told you about. The one Mr. Eager was so unkind to.”

He could not know that this was the most intimate conversation they had ever had.

10

CECIL AS A HUMOURIST

THE SOCIETY OUT OF which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up, and, falling in love with his own creation, had ended by living there himself. Soon after his marriage, the social atmosphere began to alter. Other houses were built on the brow of that steep southern slope, and others, again, among the pine-trees behind, and northward on the chalk

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