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A Tale of Love and Darkness - Amos Oz [181]

By Root 1234 0
the spacious reception room stood soft sofas, their carved wooden backs adjacent and touching one another. The furniture was carved with leaves, buds, and flowers, as though to represent inside the house the garden and orchard that surrounded it on the outside. The sofas were upholstered in a variety of striped fabrics in shades of red and sky blue. On each sofa there was a mass of colorful embroidered cushions. There were rich carpets on the floor, one of them woven with a scene of birds of paradise. In front of each sofa there was a low table, the top of which was formed by a wide round metal tray, and each tray was richly engraved with abstract designs of interwoven forms that recalled Arabic writing; in fact, they may well have been stylized Arabic inscriptions.

On each side of the room six or eight doors opened. The walls were draped with rugs, and between the rugs the plaster was visible; it too was patterned with flowers, and colored pink, lilac, and pale green. Here and there, beneath the high ceiling, ancient weapons were hung as decorations: Damascus swords, a scimitar, daggers and spears, pistols, longbarreled muskets and double-barreled rifles. Facing the entrance, and flanked by a burgundy-covered sofa on one side and a lemon-colored one on the other, stood a huge, heavily ornamented brown sideboard in baroque style looking like a small palace, with many glass-fronted compartments containing porcelain cups, crystal goblets, silver and brass goblets, and numerous ornaments of Hebron or Sidon glass.

In a deep recess in the wall between two windows nestled a green vase inlaid with mother-of-pearl from which rose several peacocks' feathers. Other recesses housed large brass pitchers and glass or earthenware beakers. Four fans hung from the ceiling, constantly making a wasplike buzz and stirring the smoke-laden air. In between the fans a huge, splendid brass chandelier sprouted from the ceiling, resembling a great tree with a profusion of branches, boughs, twigs, and tendrils all blooming with shining stalactites of crystal and quantities of pear-shaped lightbulbs that were all lit despite the summer morning light streaming through the open windows. The arches of the windows were fitted with stained glass representing wreaths of trefoils, each of which colored the daylight a different color: red, green, gold, and purple.

Two cages hung from brackets on facing walls, each containing a pair of solemn parrots whose feathers were a riot of orange, turquoise, yellow, green, and blue. Every now and again one of them would exclaim in a hoarse voice like that of a heavy smoker: " Tfaddal! S'il vous plaît! Enjoy!" And from the other cage, at the other end of the room, a wheedling soprano voice replied at once in English: "Oh, how very, very sweet! How lovely!"

Above the lintels of the doors and windows and on the flowery plaster Quranic verses or lines of poetry were inscribed in curling green Arabic writing, and between the rugs on the wall there were family portraits. Some were of portly, plump-faced, clean-shaven effendis, wearing red fezzes with black tassels, and squeezed into heavy blue suits, with gold chains suspended across their bellies and disappearing into their vest pockets. Their predecessors were mustachioed men with an authoritative air and a sullen mien, robed in responsibility, awe-inspiring, with a commanding presence, wearing embroidered robes and gleaming white keffiyehs held in place by black rings. There were also two or three mounted figures, ferocious-looking bearded men riding on magnificent horses, galloping at such speed that their keffiyehs trailed behind and their horses' manes streamed; they had long daggers thrust through their belts and curved scimitars tied at the side or brandished aloft.

The deep-set windows of this reception hall faced north and east toward Mount Scopus and the Mount of Olives, a pine copse, rocky slopes, the Ophel, and the Augusta victoria hospice, its tower crowned like an imperial helmet with a sloping gray Prussian roof. A little to the left of Augusta Victoria

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