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A Tale of Love and Darkness - Amos Oz [188]

By Root 1214 0
my teachers, from my uncles and aunts, and from rumors came back to me at that moment. Everything they said over glasses of tea in our backyard on Saturdays and on summer evenings about mounting tensions between Arab and Jew, distrust and hostility, the rotten fruit of British intrigues and the incitement of Muslim fanatics who painted us in a frightening light to inflame the Arabs to hate us. Our task, Mr. Rosendorff once said, was to dispel suspicions and to explain to them that we were in fact a positive and even kindly people. In brief, it was a sense of mission that gave me the courage to address this strange girl and try to start a conversation with her: I meant to explain to her in a few convincing words how pure our intentions were, how abhorrent was the plot to stir up conflict between our two peoples, and how good it would be for the Arab public—in the form of this graceful-lipped girl—to spend a little time in the company of the polite, pleasant Hebrew people, in the person of me, the articulate envoy aged eight and a half. Almost.

But I had not thought out in advance what I would do after I had used up most of my supply of foreign words in my opening sentence. How could I enlighten this oblivious girl and get her to understand once and for all the rightness of the Jewish return to Zion? By charades? By dance gestures? And how could I get her to recognize our right to the Land without using words? How, without any words, could I translate for her Tchernikhowsky's "O, my land, my homeland"? Or Jabotinsky's "There Arabs, Nazarenes and we / shall drink our fill in happy manner, / when both the banks of Jordan's stream / are purged by our unsullied banner"? In a word, I was like that fool who had learned how to advance the king's pawn two squares, and did so without any hesitation, but after that had no idea at all about the game of chess, not even the names of the pieces, or how they moved, or where, or why.

Lost.

But the girl answered me, and actually in Hebrew, without looking at me, her hands resting open on the bench on either side of her dress, her eyes fixed on her brother, who was laying a little stone in the center of each leaf in his circle:

"My name is Aisha. That little one is my brother. Awwad."

She also said:

"You're the son of the guests from the post office?"

And so I explained to her that I was definitely not the son of the guests from the post office, but of their friends. And that my father was a rather important scholar, an ustaz, and that my father's uncle was an even more important scholar, who was even world famous, and that it was her honored father, Mr. Silwani, who had personally suggested that I should come out in the garden and talk to the children of the house.

Aisha corrected me and said that Ustaz Najib was not her father but her mother's uncle: she and her family did not live here in Sheikh Jar-rah but in Talbieh, and she herself had been going to lessons from a piano teacher in Rehavia for the past three years, and she had learned a little Hebrew from the teacher and the other pupils. It was a beautiful language, Hebrew, and Rehavia was a beautiful area. Well kept. Quiet.

Talbieh was well kept and quiet, too, I hastened to reply, repaying one compliment with another. Would she be willing for us to talk a little?

Aren't we talking already? (A little smile flickered for an instant around her lips. She straightened the hem of her dress with both her hands, and uncrossed and recrossed her legs. And for an instant her knees appeared, the knees of a grown-up woman already, then her dress straightened again. She looked slightly to my left now, where the garden wall peered at us among the trees.)

I therefore adopted a representative position, and expressed the view that there was enough room in this country for both peoples, if only they had the sense to live together in peace and mutual respect. Somehow, out of embarrassment or arrogance, I was talking to her not in my own Hebrew but in that of Father and his visitors: formal, polished. Like a donkey dressed up in a ballgown and

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