A Test of Wills - Charles Todd [38]
“George Miller, you’ve got that rope too tight,” she said, but the boy gave her a frightened glance and tugged all the harder. The dog followed him good-naturedly, and she sighed in exasperation. Then she saw Daniel Hickam come out of one of the run-down houses beyond the smithy.
Upper Streetham turned a blind eye to the profession of the two women who occupied this particular house as long as they comported themselves with reasonable dignity elsewhere. It was whispered that they made a very good living at their trade because they could be depended on to pass their best customers on the High Street the next day without a flicker of recognition. Catherine had once tried to hire the older of the two, who had hair black as coal and eyes the color of the sea, to pose for a portrait she was painting of an aging courtesan, but the woman had turned her away in a fury.
“I don’t care what you’re painting, I have my pride, Miss Tarrant, and I’d rather starve than take money from the likes of you.”
The words had hurt. Catherine had gone to London for her model, but within three weeks had abandoned the portrait because her vision of it had somehow gone astray. The face on the canvas had become a mockery, color and lines without a soul, technical skill without depth of expression.
Pretending to inspect her tire to give Hickam a head start, Catherine waited until he was beyond the last house, finally disappearing among the shadows cast by the first of the hawthorns, at the end of the stand of long grass. Then she began to pedal slowly after him, taking her time so that no one would suspect what she was about to do.
“Whose weapon is that?” Rutledge asked, his eyes on Mavers’s face now. “Yours?”
“What weapon?”
“The one just behind you,” Rutledge snapped, in no mood for the man’s agile tongue. Why the hell hadn’t Forrest found this shotgun? If Mavers was a suspect, then he could have obtained a warrant, if necessary.
“What if it is?” Mavers asked belligerently. “I’ve a right to it, if it was left in a Will!”
“In whose Will?”
“Mr. Davenant’s Will, that’s whose.”
Rutledge walked across the room and carefully broke open the gun. It had been fired recently, but when? Three days ago? A week? Like the rest of the cottage, it was worn, neglected, the stock scratched and the barrel showing the first signs of rust, but the breech had been kept well oiled, as if Mavers was not above a bit of quiet poaching.
“Why did he leave the gun to you?”
There was a brief silence; then Mavers said with less than his usual abrasiveness, “I expect it was my father he meant. My father was once his gamekeeper, and Mr. Davenant’s Will said, ‘I leave the old shotgun to Bert Mavers, who is a better birdman than any of us.’ My father was dead by then, but the Will hadn’t been changed, and Mrs. Davenant gave the gun to me, because she said it was what her husband wanted. The lawyer from London wasn’t half pleased, I can tell you, but the Will didn’t say which Bert Mavers, did it? Alive or dead?”
“When was the last time it was fired?”
“How should I know? Or care? The door’s always open, anybody can walk in here. There’s naught to steal, is there, unless you’re after my chickens. Or need a shotgun in a bit of a hurry.” His normal nastiness resurfaced. “You can’t claim I used it, can you? I’ve got witnesses!”
“So everyone keeps telling me. But I’ll take the gun for now, if you don’t mind.”
“First I’ll have a piece of paper saying you’ll bring it back!”
Rutledge took a sheet from his notebook and scribbled a sentence on it, then signed it under the man’s baleful eye. Mavers watched him leave, and then folded the single sheet carefully and put it in a small metal box on the mantel.
Inspector Forrest was waiting for them in the magpie cottage beyond the greengrocer’s shop that served as the Upper Streetham police station. There was a small anteroom, a pair of offices, and another room at the back used as a holding cell. Seldom occupied by more serious felons than drunks and