A Woman-Hater [194]
was very unlike her.
Rhoda kissed her, and said resolutely she would stop it.
"Not unkindly?"
"Oh no."
"You will not tell him it is offensive to me?"
"No."
"Pray do not give him unnecessary pain."
"No."
"He is not to be mortified."
"No."
"I shall miss him sadly."
"Shall you?"
"Naturally. Especially at each new place. Only conceive: one is always anxious on the stage; and it is one thing to come before a public all strangers, and nearly all poor judges; it is another to see, all ready for your first note, a noble face bright with intelligence and admiration--the face of a friend. Often that one face is the only one I allow myself to see. It hides the whole public."
"Then don't you be silly and send it away. I'll tell you the one fault of your character: you think too much of other people, and too little of yourself. Now, that is contrary to the scheme of nature. We are sent into the world to take care of number one."
"What!" said Ina; "are we to be all self-indulgence? Is there to be no principle, no womanly prudence, foresight, discretion? No; I feel the sacrifice: but no power shall hinder me from making it. If you cannot persuade him, I'll do like other singers. I will be ill, and quit the company."
"Don't do that," said Rhoda. "Now you have put on your iron look, it is no use arguing--I know that to my cost. There--I will talk to him. Only don't hurry me; let me take my opportunity."
This being understood, Ina would not part with her for the present, but took her to the theater. She dismissed her dresser, at Rhoda's request, and Rhoda filled that office. So they could talk freely.
Rhoda had never been behind the scenes of a theater before, and she went prying about, ignoring the music, for she was almost earless. Presently, whom should she encounter but Edward Severne. She started and looked at him like a basilisk. He removed his hat and drew back a step with a great air of respect and humility. She was shocked and indignant with Ina for letting him be about her. She followed her off the stage into her dressing room, and took her to task. "I have seen Mr. Severne here."
"He comes every night."
"And you allow him?"
"It is the manager."
"But he would not admit him, if you objected."
"I am afraid to do that."
"Why?"
"We should have an _esclandre._ I find he has had so much consideration for me as to tell no one our relation; and as he has never spoken to me, I do the most prudent thing I can, and take no notice. Should he attempt to intrude himself on me, then it will be time to have him stopped in the hall, and I shall do it _cou'te que cou'te._ Ah, my dear friend, mine is a difficult and trying position."
After a very long wait, Ina went down and sung her principal song, with the usual bravas and thunders of applause. She was called on twice, and as she retired, Severne stepped forward, and, with a low, obsequious bow, handed her a beautiful bouquet. She took it with a stately courtesy, but never looked nor smiled.
Rhoda saw that and wondered. She thought to herself, "That is carrying politeness a long way. To be sure, she is half a foreigner."
Having done his nightly homage, Severne left the theater, and soon afterward the performance concluded, and Ina took her friend home. Ashmead was in the hall to show his patroness to her carriage--a duty he never failed in. Rhoda shook hands with him, and he said, "Delighted to see you here, miss. You will be a great comfort to her."
The two friends communed till two o'clock in the morning: but the limits of my tale forbid me to repeat what passed.
Suffice it to say that Rhoda was fairly puzzled by the situation; but, having a great regard for Vizard, saw clearly enough that he ought to be sent back to Islip. She thought that perhaps the very sight of her would wound his pride, and, finding his mania discovered by a third person, he would go of his own accord: so she called on him.
My lord received her with friendly composure, and all his talk was about Islip. He did not condescend to explain
Rhoda kissed her, and said resolutely she would stop it.
"Not unkindly?"
"Oh no."
"You will not tell him it is offensive to me?"
"No."
"Pray do not give him unnecessary pain."
"No."
"He is not to be mortified."
"No."
"I shall miss him sadly."
"Shall you?"
"Naturally. Especially at each new place. Only conceive: one is always anxious on the stage; and it is one thing to come before a public all strangers, and nearly all poor judges; it is another to see, all ready for your first note, a noble face bright with intelligence and admiration--the face of a friend. Often that one face is the only one I allow myself to see. It hides the whole public."
"Then don't you be silly and send it away. I'll tell you the one fault of your character: you think too much of other people, and too little of yourself. Now, that is contrary to the scheme of nature. We are sent into the world to take care of number one."
"What!" said Ina; "are we to be all self-indulgence? Is there to be no principle, no womanly prudence, foresight, discretion? No; I feel the sacrifice: but no power shall hinder me from making it. If you cannot persuade him, I'll do like other singers. I will be ill, and quit the company."
"Don't do that," said Rhoda. "Now you have put on your iron look, it is no use arguing--I know that to my cost. There--I will talk to him. Only don't hurry me; let me take my opportunity."
This being understood, Ina would not part with her for the present, but took her to the theater. She dismissed her dresser, at Rhoda's request, and Rhoda filled that office. So they could talk freely.
Rhoda had never been behind the scenes of a theater before, and she went prying about, ignoring the music, for she was almost earless. Presently, whom should she encounter but Edward Severne. She started and looked at him like a basilisk. He removed his hat and drew back a step with a great air of respect and humility. She was shocked and indignant with Ina for letting him be about her. She followed her off the stage into her dressing room, and took her to task. "I have seen Mr. Severne here."
"He comes every night."
"And you allow him?"
"It is the manager."
"But he would not admit him, if you objected."
"I am afraid to do that."
"Why?"
"We should have an _esclandre._ I find he has had so much consideration for me as to tell no one our relation; and as he has never spoken to me, I do the most prudent thing I can, and take no notice. Should he attempt to intrude himself on me, then it will be time to have him stopped in the hall, and I shall do it _cou'te que cou'te._ Ah, my dear friend, mine is a difficult and trying position."
After a very long wait, Ina went down and sung her principal song, with the usual bravas and thunders of applause. She was called on twice, and as she retired, Severne stepped forward, and, with a low, obsequious bow, handed her a beautiful bouquet. She took it with a stately courtesy, but never looked nor smiled.
Rhoda saw that and wondered. She thought to herself, "That is carrying politeness a long way. To be sure, she is half a foreigner."
Having done his nightly homage, Severne left the theater, and soon afterward the performance concluded, and Ina took her friend home. Ashmead was in the hall to show his patroness to her carriage--a duty he never failed in. Rhoda shook hands with him, and he said, "Delighted to see you here, miss. You will be a great comfort to her."
The two friends communed till two o'clock in the morning: but the limits of my tale forbid me to repeat what passed.
Suffice it to say that Rhoda was fairly puzzled by the situation; but, having a great regard for Vizard, saw clearly enough that he ought to be sent back to Islip. She thought that perhaps the very sight of her would wound his pride, and, finding his mania discovered by a third person, he would go of his own accord: so she called on him.
My lord received her with friendly composure, and all his talk was about Islip. He did not condescend to explain