A Woman-Hater [49]
But I appeal to your reason--if you have any."
Zoe's eyes filled. "You are right," said she, humbly. "Thank you for thinking for me. I will not say a word to her before _you."_
"That is a good girl. But, come now, why say a word at all?"
"Oh, it is no use your demanding impossibilities, dear. I could no more help speaking to her than I could fly; and don't go fancying she will care a pin what I say, if I don't say it before _a gentleman."_
Having given him this piece of information, she left her ambush, and proceeded to meet the all-unconscious blue girl; but, even as they went, Vizard returned to his normal condition, and doled out, rather indolently, that they were out on pleasure, and might possibly miss the object of the excursion if they were to encourage a habit of getting into rages about nothing.
Zoe was better than her word. She met Fanny with open admiration: to be sure, she knew that apathy, or even tranquillity, on first meeting the blues, would be instantly set down to envy.
"And where did you get it, dear?"
"At quite a small shop."
"French?"
"Oh, no; I think she was an Austrian. This is not a French mixture: loud, discordant colors, that is the French taste."
"Here is heresy," said Vizard. "Why, I thought the French beat the world in dress."
"Yes, dear," said Zoe, "in form and pattern. But Fanny is right; they make mistakes in color. They are terribly afraid of scarlet; but they are afraid of nothing else: and many of their mixtures are as discordant to the eye as Wagner's music to the ear. Now, after all, scarlet is the king of colors; and there is no harm in King Scarlet, if you treat him with respect and put a modest subject next to him."
"Gypsy locks, for instance," suggested Fanny, slyly.
Miss Maitland owned herself puzzled. "In my day," said she, "no one ever thought of putting blue upon blue; but really, somehow, it looks well."
"May I tell you why, aunt?--because the dress-maker had a real eye, and has chosen the right tints of blue. It is all nonsense about one color not going with another. Nature defies that; and how? by choosing the very tints of each color that will go together. The sweetest room I ever saw was painted by a great artist; and, do you know, he had colored the ceiling blue and the walls green: and I assure you the effect was heavenly: but, then, he had chosen the exact tints of green and blue that would go together. The draperies were between crimson and maroon. But there's another thing in Fanny's dress; it is velvet. Now, blue velvet is blue to the mind; but it is not blue to the eye. You try and paint blue velvet; you will be surprised how much white you must lay on. The high lights of all velvets are white. This white helps to blend the two tints of blue."
"This is very instructive," said Vizard. "I was not aware I had a sister, youthful, but profound. Let us go in and dine."
Fanny demurred. She said she believed Miss Maitland wished to take one turn round the grounds first.
Miss Maitland stared, but assented in a mechanical way; and they commenced their promenade.
Zoe hung back and beckoned her brother. "Miss Maitland!" said she, with such an air. _"She_ wants to show her blues to all the world and his wife."
"Very natural," said Vizard. "So would you, if you were in a scarlet gown, with a crimson cloak."
Zoe laughed heartily at this, and forgave Fanny her new dress: but she had a worse bone than that to pick with her.
It was a short but agreeable promenade to Zoe, for now they were alone, her brother, instead of sneering, complimented her.
"Never you mind my impertinence," said he; "the truth is, I am proud of you. You are an observer."
"Me? Oh--in color."
"Never mind: an observer is an observer; and genuine observation is not so common. Men see and hear with their prejudices and not their senses. Now we are going to those gaming-tables. At first, of course, you will play; but, as soon as ever you are cleaned out, observe! Let nothing escape that woman's eye of yours: and so we'll get something for our money."
Zoe's eyes filled. "You are right," said she, humbly. "Thank you for thinking for me. I will not say a word to her before _you."_
"That is a good girl. But, come now, why say a word at all?"
"Oh, it is no use your demanding impossibilities, dear. I could no more help speaking to her than I could fly; and don't go fancying she will care a pin what I say, if I don't say it before _a gentleman."_
Having given him this piece of information, she left her ambush, and proceeded to meet the all-unconscious blue girl; but, even as they went, Vizard returned to his normal condition, and doled out, rather indolently, that they were out on pleasure, and might possibly miss the object of the excursion if they were to encourage a habit of getting into rages about nothing.
Zoe was better than her word. She met Fanny with open admiration: to be sure, she knew that apathy, or even tranquillity, on first meeting the blues, would be instantly set down to envy.
"And where did you get it, dear?"
"At quite a small shop."
"French?"
"Oh, no; I think she was an Austrian. This is not a French mixture: loud, discordant colors, that is the French taste."
"Here is heresy," said Vizard. "Why, I thought the French beat the world in dress."
"Yes, dear," said Zoe, "in form and pattern. But Fanny is right; they make mistakes in color. They are terribly afraid of scarlet; but they are afraid of nothing else: and many of their mixtures are as discordant to the eye as Wagner's music to the ear. Now, after all, scarlet is the king of colors; and there is no harm in King Scarlet, if you treat him with respect and put a modest subject next to him."
"Gypsy locks, for instance," suggested Fanny, slyly.
Miss Maitland owned herself puzzled. "In my day," said she, "no one ever thought of putting blue upon blue; but really, somehow, it looks well."
"May I tell you why, aunt?--because the dress-maker had a real eye, and has chosen the right tints of blue. It is all nonsense about one color not going with another. Nature defies that; and how? by choosing the very tints of each color that will go together. The sweetest room I ever saw was painted by a great artist; and, do you know, he had colored the ceiling blue and the walls green: and I assure you the effect was heavenly: but, then, he had chosen the exact tints of green and blue that would go together. The draperies were between crimson and maroon. But there's another thing in Fanny's dress; it is velvet. Now, blue velvet is blue to the mind; but it is not blue to the eye. You try and paint blue velvet; you will be surprised how much white you must lay on. The high lights of all velvets are white. This white helps to blend the two tints of blue."
"This is very instructive," said Vizard. "I was not aware I had a sister, youthful, but profound. Let us go in and dine."
Fanny demurred. She said she believed Miss Maitland wished to take one turn round the grounds first.
Miss Maitland stared, but assented in a mechanical way; and they commenced their promenade.
Zoe hung back and beckoned her brother. "Miss Maitland!" said she, with such an air. _"She_ wants to show her blues to all the world and his wife."
"Very natural," said Vizard. "So would you, if you were in a scarlet gown, with a crimson cloak."
Zoe laughed heartily at this, and forgave Fanny her new dress: but she had a worse bone than that to pick with her.
It was a short but agreeable promenade to Zoe, for now they were alone, her brother, instead of sneering, complimented her.
"Never you mind my impertinence," said he; "the truth is, I am proud of you. You are an observer."
"Me? Oh--in color."
"Never mind: an observer is an observer; and genuine observation is not so common. Men see and hear with their prejudices and not their senses. Now we are going to those gaming-tables. At first, of course, you will play; but, as soon as ever you are cleaned out, observe! Let nothing escape that woman's eye of yours: and so we'll get something for our money."