A Woman of Thirty [25]
state of Mme. d'Aiglemont's health. I do not think that you would talk jestingly about it if you knew that unless she adopts a certain course of treatment she must die miserably. If I use this language to you, it is because I am in a manner justified in using it, for I am quite certain that I can save Mme. d'Aiglemont's life and restore her to health and happiness. It is odd, no doubt, that a man of my rank should be a physician, yet nevertheless chance determined that I should study medicine. I find life dull enough here," he continued, affecting a cold selfishness to gain his ends, "it makes no difference to me whether I spend my time and travel for the benefit of a suffering fellow-creature, or waste it in Paris on some nonsense or other. It is very, very seldom that a cure is completed in these complaints, for they require constant care, time, and patience, and, above all things, money. Travel is needed, and a punctilious following out of prescriptions, by no means unpleasant, and varied daily. Two /gentlemen/" (laying a stress on the word in its English sense) "can understand each other. I give you warning that if you accept my proposal, you shall be a judge of my conduct at every moment. I will do nothing without consulting you, without your superintendence, and I will answer for the success of my method if you will consent to follow it. Yes, unless you wish to be Mme. d'Aiglemont's husband no longer, and that before long," he added in the Marquis' ear.
The Marquis laughed. "One thing is certain--that only an Englishman could make me such an extraordinary proposal," he said. "Permit me to leave it unaccepted and unrejected. I will think it over; and my wife must be consulted first in any case."
Julie had returned to the piano. This time she sang a song from /Semiramide, Son regina, son guerriera/, and the whole room applauded, a stifled outburst of wellbred acclamation which proved that the Faubourg Saint-Germain had been roused to enthusiasm by her singing.
The evening was over. D'Aiglemont brought his wife home, and Julie saw with uneasy satisfaction that her first attempt had at once been successful. Her husband had been roused out of indifference by the part which she had played, and now he meant to honor her with such a passing fancy as he might bestow upon some opera nymph. It amused Julie that she, a virtuous married woman, should be treated thus. She tried to play with her power, but at the outset her kindness broke down once more, and she received the most terrible of all the lessons held in store for her by fate.
Between two and three o'clock in the morning Julie sat up, sombre and moody, beside her sleeping husband, in the room dimly lighted by the flickering lamp. Deep silence prevailed. Her agony of remorse had lasted near an hour; how bitter her tears had been none perhaps can realize save women who have known such an experience as hers. Only such natures as Julie's can feel her loathing for a calculated caress, the horror of a loveless kiss, of the heart's apostasy followed by dolorous prostitution. She despised herself; she cursed marriage. She could have longed for death; perhaps if it had not been for a cry from her child, she would have sprung from the window and dashed herself upon the pavement. M. d'Aiglemont slept on peacefully at her side; his wife's hot dropping tears did not waken him.
But next morning Julie could be gay. She made a great effort to look happy, to hide, not her melancholy, as heretofore, but an insuperable loathing. From that day she no longer regarded herself as a blameless wife. Had she not been false to herself? Why should she not play a double part in the future, and display astounding depths of cunning in deceiving her husband? In her there lay a hitherto undiscovered latent depravity, lacking only opportunity, and her marriage was the cause.
Even now she had asked herself why she should struggle with love, when, with her heart and her whole nature in revolt, she gave herself to the husband whom she loved no longer. Perhaps, who knows? some piece of fallacious
The Marquis laughed. "One thing is certain--that only an Englishman could make me such an extraordinary proposal," he said. "Permit me to leave it unaccepted and unrejected. I will think it over; and my wife must be consulted first in any case."
Julie had returned to the piano. This time she sang a song from /Semiramide, Son regina, son guerriera/, and the whole room applauded, a stifled outburst of wellbred acclamation which proved that the Faubourg Saint-Germain had been roused to enthusiasm by her singing.
The evening was over. D'Aiglemont brought his wife home, and Julie saw with uneasy satisfaction that her first attempt had at once been successful. Her husband had been roused out of indifference by the part which she had played, and now he meant to honor her with such a passing fancy as he might bestow upon some opera nymph. It amused Julie that she, a virtuous married woman, should be treated thus. She tried to play with her power, but at the outset her kindness broke down once more, and she received the most terrible of all the lessons held in store for her by fate.
Between two and three o'clock in the morning Julie sat up, sombre and moody, beside her sleeping husband, in the room dimly lighted by the flickering lamp. Deep silence prevailed. Her agony of remorse had lasted near an hour; how bitter her tears had been none perhaps can realize save women who have known such an experience as hers. Only such natures as Julie's can feel her loathing for a calculated caress, the horror of a loveless kiss, of the heart's apostasy followed by dolorous prostitution. She despised herself; she cursed marriage. She could have longed for death; perhaps if it had not been for a cry from her child, she would have sprung from the window and dashed herself upon the pavement. M. d'Aiglemont slept on peacefully at her side; his wife's hot dropping tears did not waken him.
But next morning Julie could be gay. She made a great effort to look happy, to hide, not her melancholy, as heretofore, but an insuperable loathing. From that day she no longer regarded herself as a blameless wife. Had she not been false to herself? Why should she not play a double part in the future, and display astounding depths of cunning in deceiving her husband? In her there lay a hitherto undiscovered latent depravity, lacking only opportunity, and her marriage was the cause.
Even now she had asked herself why she should struggle with love, when, with her heart and her whole nature in revolt, she gave herself to the husband whom she loved no longer. Perhaps, who knows? some piece of fallacious