Across the Bridge - Mavis Gallant [33]
When Cousin Gaston came to dinner he and Papa discussed their relations in Nice and the decadent state of France. Women were not expected to join in: Maman always found a reason to go off to the kitchen and talk things over with Claudine, a farm girl from Normandy she had trained to cook and wait. Claudine was about my age, but Maman seemed much freer with her than with me; she took it for granted that Claudine was informed about all the roads and corners of life. Having no excuse to leave, I would examine the silver, the pattern on my dinner plate, my own hands. The men, meanwhile, went on about the lowering of morality and the lack of guts of the middle class. They split over what was to be done: our cousin was a Socialist, though not a fierce one. He saw hope in the new postwar managerial generation, who read Marx without becoming dogmatic Marxists, while my father thought the smart postwar men would be swept downhill along with the rest of us.
Once, Cousin Gaston mentioned why his office was so seedily fitted out. It seemed that the government had to spend great sums on rebuilding roads; they had gone to pieces during the war and, of course, were worse today. Squads of German prisoners of war sent to put them right had stuffed the road beds with leaves and dead branches. As the underlay began to rot, the surfaces had collapsed. Now repairs were made by French workers – unionized, Communist-led, always on the verge of a national strike. There was no money left over.
“There never has been any money left over,” Papa said. “When there is, they keep it quiet.”
He felt uneasy about the franking business. The typist in the hall might find out and tell a reporter on one of the opposition weeklies. The reporter would then write a blistering piece on nepotism and the misuse of public funds, naming names. (My mother never worried. She took small favors to be part of the grace of life.)
It was hot on the bridge, July in April. We still wore our heavy coats. Too much good weather was not to be trusted. There were no clouds over the river, but just the kind of firm blue sky I found easy to paint. Halfway across, we stopped to look at a boat with strings of flags, and tourists sitting along the bank. Some of the men had their shirts off. I stared at the water and saw how far below it was and how cold it looked, and I said, “If I weren’t a Catholic, I’d throw myself in.”
“Sylvie!” – as if she had lost me in a crowd.
“We’re going to so much trouble,” I said. “Just so I can marry a man I don’t love.”
“How do you know you don’t love him?”
“I’d know if I did.”
“You haven’t tried,” she said. “It takes patience, like practicing scales. Don’t you want a husband?”
“Not Arnaud.”
“What’s wrong with Arnaud?”
“I don’t know.”
“Well,” after a pause, “what do you know?”
“I want to marry Bernard Brunelle. He lives in Lille. His father owns a big textile business – the factories, everything. We’ve been writing. He doesn’t know I’m engaged.”
“Brunelle? Brunelle? Textiles? From Lille? It sounds like a mistake. In Lille they just marry each other, and textiles marry textiles.”
“I’ve got one thing right,” I said. “I want to marry Bernard.”
My mother was a born coaxer and wheedler; avoided confrontation, preferring to move to a different terrain and beckon, smiling. One promised nearly anything just