Across the Bridge - Mavis Gallant [8]
Of course he was at a loss, astray in an armchair, with the Carettes watching like friendly judges. When he reached for another chocolate, they looked to see if his nails were clean. When he crossed his legs, they examined his socks. They were fixing their first impression of the stranger who might take Marie away, give her a modern kitchen, children to bring up, a muskrat coat, a charge account at Dupuis Frères department store, a holiday in Maine. Louis continued to examine his bright Driscoll hair, the small nose along which his glasses slid. Holding the glasses in place with a finger, he answered Mme. Carette: His father was a dental surgeon, with a degree from Pennsylvania. It was the only degree worth mentioning. Before settling into a dentist’s chair the patient should always read the writing on the wall. His mother was born Lucarne, a big name in Moncton. She could still get into her wedding dress. Everything was so conveniently arranged at home – cavernous washing machine, giant vacuum cleaner – that she seldom went out. When she did, she wore a two-strand cultured-pearl necklace and a coat and hat of Persian lamb.
The Carettes could not match this, though they were related to families for whom bridges were named. Mme. Carette sat on the edge of the sofa, ankles together. Gentility was the brace that kept her upright. She had once been a young widow, hard pressed, had needed to sew for money. Berthe recalled a stricter, an unsmiling mother, straining over pleats and tucks for clients who reneged on pennies. She wore the neutral shades of half-mourning, the whitish grays of Rue Saint-Hubert, as though everything had to be used up – even remnants of grief.
Mme. Carette tried to imagine Louis’s mother. She might one day have to sell the pearls; even a dentist trained in Pennsylvania could leave behind disorder and debts. Whatever happened, she said to Louis, she would remain in this flat. Even after the girls were married. She would rather beg on the steps of the parish church than intrude upon a young marriage. When her last, dreadful illness made itself known, she would creep away to the Hôtel Dieu and die without a murmur. On the other hand, the street seemed to be filling up with foreigners. She might have to move.
Berthe and Marie were dressed alike, as if to confound Louis, force him to choose the true princess. Leaving the sight of his face in the mirror, puzzled by death and old age, he took notice of the two moiré skirts, organdie blouses, patent-leather belts. “I can’t get over those twins of yours,” he said to Mme. Carette. “I just can’t get over them.”
Once, Berthe had tried Marie in her own office – easy work, taking messages when the switchboard was closed. She knew just enough English for that. After two weeks the office manager, Mr. Macfarlane, had said to Berthe, “Your sister is an angel, but angels aren’t in demand at Prestige Central Burners.”
It was the combination of fair hair and dark eyes, the enchanting misalliance, that gave Marie the look of an angel. She played with the locket the Greek had given her, twisting and unwinding the chain. What did she owe her Greek? Fidelity? An explanation? He was punctual and polite, had never laid a hand on her, in temper or eagerness, had travelled a long way by streetcar to bring back the mice. True, said Berthe, reviewing his good points, while Louis ate the last of the fudge. It was true about the mice, but he should have become more than “Marie’s Greek.” In the life of a penniless unmarried young woman, there was no room for a man merely in love. He ought to have presented himself as something: Marie’s future.
In May true spring came, moist and hot. Berthe brought home new dress patterns and yards of flowered rayon and piqué. Louis called three evenings a week, at seven o’clock, after the supper dishes were cleared away. They played hearts in the dining room, drank Salada tea, brewed black, with plenty of sugar and cream, ate éclairs and