Across the Universe - Beth Revis [13]
I press my wi-com button behind my left ear.
“Command?” the pleasant female voice of my wi-com asks.
“Grav tube control,” I say.
Beep, beep-beep fills my ear as my wi-com connects to the grav tube control. I roll my thumb over the biometric scanner on the far wall of the Learning Center, and a circular section of the floor slides open. There is nothing under it but empty space.
My stomach lurches—as it always does—when I step into the empty air of the grav tube. But the wi-com has linked to the ship’s gravitational system inside the tube, and I bob gently over the air before sinking down like a penny dropped in a fountain’s pool. Darkness envelops me as I slip down the tube through the Shipper Level, and then light floods my eyes. I blink; the Feeder Level is below me, distorted through the clear grav tube. The City rises up along the far wall, and the farms spread throughout the center, vast fields of green dotted with crops, cows, sheep, goats. From here, the Feeder Level is huge, a world in and of itself. 6,400 acres designed to support over 3,000 people looks like forever when you’re gazing down at it. But when you’re actually there, in the fields or the City, crammed up next to people whose eyes are always on you, it feels much more crowded.
The grav tube ends about seven feet from the ground of the Feeder Level. For a second, I bob in the air at the end of the tube, then beep, beep-beep fills my ear as my wi-com connects with the ship’s gravity system, and I drop to the little round metal platform under the tube. I hop off the platform and begin walking down one of the four main roads on the Feeder Level. Only a few yards ahead is a tall brick building, the Recorder Hall, and beyond that is the Hospital.
As I stride toward the Recorder Hall, I think of how different my life is now from three years ago. Until I was thirteen, I lived on this level, passed from one family to the next. From a very young age, it was clear I’d never fit in. For one, everyone was very aware that I was Elder. Perhaps because the Elder before me died unexpectedly, the Feeders were always overprotective. But more than that—we were different from one another. The Feeders thought differently. They were happy, content to plow fields and shear sheep. They never seemed to feel the walls of the ship cave in around them, to grow angry at time for passing so slowly. It wasn’t until I moved to the Hospital in my thirteenth year, and met Harley, and talked to Doc, and then moved to the Keeper Level and started training with Eldest that I started to be happy on Godspeed. That I started to enjoy this life.
I don’t always agree with Eldest, and his temper, shown only to me on the Keeper Level, can be terrifying, but I will always love him for taking me from the mind-numbing farms.
I bound up the steps toward the big brown doors that have been painted to look like wood. The Recorder Hall has always seemed too big to me, but Eldest assures me that most of the residents on Godspeed feel that it is too small. I suppose it’s because when I go there, I go by myself, or with Eldest. Everyone else went with their gen, when they were younger and still in school. Since no one else on the ship is as young as me, there’s no reason to have school. I just have Eldest.
Eldest watches me mount the steps to the Recorder Hall. Not the real Eldest, of course—a painting of him, done before I was born, when Eldest was about Doc’s age. The painting is large, about half the size of the door, and hung in a little inset built into the bricks next to the entry.
Eventually, they will take Eldest’s portrait down from here, and hang it in a dusty spot in the back of the Recorder Hall somewhere, with the portraits of all the other Eldests.
And my portrait will hang here, surveying my tiny kingdom.
The painted Eldest stares past me, past the porch on the Recorder